Review: Spin Me Round (2022)

Jeff Baena’s The Little Hours is a romp I highly recommended back when it first opened. His latest, Spin Me Round, starring two actresses – Alison Brie and Aubrey Plaza – he works with again and again (one of whom he is married to), is a mash-up of different genres – comedy, romance, travelogue, crime thriller – and definitely worth checking out. He’s an interesting writer/filmmaker. I reviewed for Ebert.

Posted in Movies | Tagged , , | Leave a comment

Bugliosi’s and Tarantino’s rattling ice cubes

“It was so quiet, one of the killers would later say, you could almost hear the sound of ice rattling in cocktail shakers in the homes way down the canyon.” — the first line of Vincent Bugliosi’s book Helter Skelter

It is the most haunting opening line of any “true crime” book. If you’re a Helter Skelter-person – and yes, it’s a type – it’s a tribe – you know that line by heart. You think about the book and you think about the first line. You can hear the ice rattling in cocktail shakers, across the dark canyon.

My friend Allison and I are Helter-Skelter-people. We went to go see Quentin Tarantino’s movie Once Upon a Time in Hollywood together, on August 8th, the anniversary of the first “set” of murders. It was Allison’s first time seeing the movie, my second. It was imperative that we see it together. She knows the entire case by heart, as I do, even down to minor characters. She’s also a Los Angeles native, so it’s more IN her that is in me. The crime still hovers over the landscape (something Tarantino obviously feels). As the movie unfurled, she kept whispering things to me, thinks like: “Is that Sandra Good?” “Oh God, there’s Clem.” She didn’t even need to get a look at Dakota Fanning’s face (and if you recall, you only see the back of her head at first). The second she saw that head, Allison whispered, in awe, “Squeaky.” Allison knows LA like the back of her hand and was amazed by the accuracy of the locations (like the Westwood scene, where Sharon goes to see herself in the movie – Allison’s grandmother used to live there), and also all the driving patterns as Cliff goes from place to place, even down to the exits, what you’d see as you got off the exit, what you’d pass. It’s an old-fashioned movie in that it’s shot on location: real streets, real places, no stand-ins. When Cliff turns off the freeway to go to his little trailer, it’s the right exit (Allison informed me). The drive-in was really there. Allison and I sat outside after the movie, drinking sparkling rose at a cafe in the summer night, and she drew me a map on the place setting: the canyons, the hills, the layout of the massive sprawl, including arrows and landmarks.

But here’s my favorite memory with Allison, because she picked up on something that only a Helter-Skelter-person would pick up on, and I didn’t pick up on it!

The action suddenly jumps forward six months. We see a Pan Am plane in the air, with the words “August 8th, 1969” on the screen in bright yellow. (Allison murmured, “Oh shit.”)

Next, there’s a cut to a closeup of a bright red cocktail on a tray table. There’s a little stir-stick in the cocktail, and you can hear the ice clinking in the glass.

It is Rick’s drink in first class.

Allison whispered to me, and it went through me like a bolt of lightning: “It’s the first line of Helter Skelter!!”

This is why I wanted her to see it.

The first line of Helter Skelter, by Vincent Bugliosi (a book which Tarantino has issues with, but still, it’s the Manson-case Bible, and as I said: we all know that first line). Bugliosi successfully prosecuted the killers for the Tate-LaBianca murders- including Manson, who didn’t kill any of those people. He killed some other people, but he wasn’t on trial for killing THEM. He was on trial for murdering the people he DIDN’T kill. Bugliosi had to create this whole “Helter Skelter” story in order to accuse Manson, even though it was his minions who did the vicious deeds. Bugliosi had to connect the dots. Manson had to go jail. He had to. And he did. Good riddance.

To re-cap: Helter Skelter starts on the night of the murders with the sound of “ice rattling” in cocktail shakers..

Tarantino opened the scene of the day of the murders with a shot of a cocktail glass, ice rattling around.

Coincidence?

Not a chance.

Posted in Books, Directors, Movies | Tagged , , , | Leave a comment

There once was a girl who lived in a lodge …

Make that two girls.


Joan Blackman as Rose – who lives in her brother’s lodge – in “Kid Galahad” (1962)


Sherilyn Fenn as Audrey – who lives in her father’s lodge – in “Twin Peaks” (1990)

Coincidence?

David Lynch is a huge Elvis fan and some people might know my theory about Twin Peaks season 3. I’ve alluded to it but … it was an intimidatingly gigantic subject and so I never wrote it all out in full. I am just one woman. I clocked the resemblance right away, down to her birthmark.

Posted in Movies, Television | Tagged , , | Leave a comment

Happy Birthday, Alfred Hitchcock

PETER BOGDANOVICH: But you never watch your films with an audience – don’t you miss hearing them scream?

ALFRED HITCHCOCK: No. I can hear them when I’m making the picture.

003-alfred-hitchcock-theredlist
Hitchcock and Cary Grant

Posted in Directors, Movies, On This Day | Tagged , , | 6 Comments

Review: Emily the Criminal (2022)

I SO dug this. Aubrey Plaza hits different and I am so excited about her career. I reviewed for Ebert.

Posted in Movies | Tagged , , | 7 Comments

July 2022 Viewing Diary

Once Upon a Time in Hollywood (2019; d. Quentin Tarantino)
I like it more every time I see it. I’ve seen it maybe 7 or 8 times.

Desert Fury (1947; d. Lewis Allen)
I adore this messed-up homoerotic Technicolor fever-dream. I wrote about Mary Astor’s wardrobe in this, as you do.

The Boys, Season 3 (2021)
I was in Chicago last month, and we had a great lazy day watching the entirety of The Boys, Season 3. I’m so happy to actually share this with someone in person! Season 3 had, hands down, one of the grossest moments I’ve ever seen – and I’ve seen a lot – including a close-up of a butthole. Like, Kripke, WHY are you doing this to me. This is some raunchy shit. Jesus. But also, deep, painful, honest. It’s a wild mix. Season 3, for me, was all about Jensen Ackles (who is incredible), as Soldier Boy, the PTSD-rattled American soldier coming out of a cryogenic state into the touchy-feely world of 2022, wondering why everything was different. It gave Jensen the opportunity to play to his strengths: toughness Band-aid-ed over sensitivity, uneasiness, humor, the whole thing. So it was awesome to see Jensen at play in this weird raunchy X-rated world. But, for me, Season 1 is the keeper of this thing. Anthony Starr, too, is EERIE and I would love to know how he even began to approach this role: he blows me away. Madness: true madness.

Kansas City (1996; d. Robert Altman)
It’s been a long time. I saw this one in the theatre. As always, Altman provides a rich interwoven fluctuating tapestry, of sounds and voices and atmosphere, great actors. This one feels personal, due to Altman’s growing up in Kansas City in the era in which the film takes place. I really love this one, and I feel so fortunate I was an adult in an era where you could look forward to a new Altman film every couple of years. I wasn’t seeing Altman movies in the 70s, but by the late 80s and into the 90s, it was still happening. It was always an event, a new Altman film.

Both Sides of the Blade (2022; d. Claire Denis)
I keep thinking about this one. I reviewed for Ebert.

Dopesick (2021)
This was a re-watch. It’s fantastic if you haven’t seen it.

Elvis comeback special (1968; d. Steve Binder)
It’s so important. I have the deluxe box set, so I watched all the out-takes too, all the false starts: watching him at work in this insanely pressurized situation.

She Will (2022; d. n Charlotte Colbert)
This was fascinating and intense. I reviewed for Ebert.

Supernatural, Season 11, episode 8, “Just my Imagination” (2015; d. Richard Speight Jr.)
Summers are normally hard for me. The days are too long. My circadian rhythms get messed up. So I turned to comfort food and watched three of my “comfort food” Supernatural episodes in a row. There are way more on that list, but these ones are like well-worn blankets. They always work. This one: “So let’s say Bozo is legit. Which … okay … Crazy Town … but okay. How is that our problem?” This line reading will never EVER not be funny to me.

Supernatural, Season 9, episode 7, “Bad Boys” (2013; d. Kevin Parks)
Season 9. Ah. I felt very alone in my love of this season, and I guess I still do. It’s one of my favorite seasons, since the majority of the arc has to do with the brothers’ relationship. The whole “I don’t like Sam because he’s mean to Dean” thing is very uninteresting to me. What interests me has always been the relationship, its sick and twisted closeness, the loyalty, and how this loyalty brought about super questionable choices on both sides. I feel like Sam had every reason to call Dean to account for what Dean did. Dean needed to suffer like that. AND I felt like Season 9 burrowed down to the very heart of what was going on – what has ALWAYS been going on – since Season 1 – and the moment in the hotel room (“Shadow”) when Sam says he’s looking forward to it all being over, and he’d like to go back to school. The final scene in “The Purge” is almost the same scene, and yet … it’s so much worse, because it’s 7 years later. Nothing has been resolved. Sam is just more resentful, and Dean is still in denial about just how much he has sacrificed and how fearful he is of being alone. I love that emotional continuity. I don’t even know what else happened in Season 9, to be honest. All I remember is Dean being so upset he grew a beard. I loved it. “Bad Boys” is so crucial for me, in the brothers’ arc, AND it is kind of wild to think just how much the show went off the rails, so much so that it didn’t even seem interested in exploring the brothers’ relationships anymore, OR the personalities and traumas of the two main characters.

Supernatural, Season 10, episode 12, “About a Boy” (2015; d. Serge Ladouceur)
The look on Sam’s face as he watches Tween Dean walk around the motel room, packing up ammo. It makes me laugh every time.

What Do We See When We Look at the Sky? (2021; d. Aleksandre Koberidze)
My God, this movie! This is my favorite movie this year so far. Georgian filmmaker Aleksandre Koberidze has crafted a haunting and unique story about two people who meet by chance in the street, run into one another again by chance, and he asks her out for coffee. The following morning they both wake up and they have been transformed into different people. They are the same people inside, but their exteriors are different. Now they will no longer recognize one another. They have lost one another in the crowd. Okay? You got that? This film is amazing, I highly recommend it.

How to Please a Woman (2022; d. Renée Webster)
What a fun movie! It makes me want to run out and have sex all over town. Or, in just one spot. It doesn’t matter. I reviewed for Ebert.

The Lincoln Lawyer, Season 1, episode 1, “He Rides Again” (2022; d. Liz Friedlander)
Mum recommended this to me. So far I have only watched the pilot, but I ADORE it.

Elvis (2022; d. Baz Luhrmann)
I don’t even want to say how many times I’ve seen it. I live within walking distance of a 100-year-old movie palace, and so I’d be like “fuck it, there’s a matinee in 20 minutes, let me pop over.” I am working on a piece about it, but my main reasoning was: This movie is going to disappear from theatres, and who knows when I will get the chance to “see it big” again. What else have I got to do with my time.

Resurrection (2022; d. Andrew Semans)
Rebecca Hall and Tim Roth: an amazing pairing. This is a nervous breakdown of a movie. I reviewed for Ebert.

What’s Up, Doc? (1972; d. Peter Bogdanovich)
During my family’s annual vacation on the lake up north, we watched the family favorite, What’s Up, Doc. Jean brought her projector, we tacked a sheet up on the porch wall, and gathered around, all the kids, all the grown-ups. Hilarity. The age range of the audience was 80 years old to 6 years old. Thank you, P-Dawg.

The Most Hated Man on the Internet (2022; d. Rob Miller)
This is a sickening story. Diabolical sociopath. New docuseries on Netflix.

Posted in Monthly Viewing Diary, Movies, Television | Tagged , , , , , , , , , , , , , , , , , , , , , | 65 Comments

R.I.P. David McCullough

“And so many of the blessings and advantages we have, so many of the reasons why our civilization, our culture, has flourished aren’t understood; they’re not appreciated. And if you don’t have any appreciation of what people went through to get, to achieve, to build what you are benefiting from, then these things don’t mean very much to you. You just think, well, that’s the way it is. That’s our birthright. That just happened. [But] it didn’t just happen. And at what price? What grief? What disappointment? What suffering went on? I mean this. I think that to be ignorant or indifferent to history isn’t just to be uneducated or stupid. It’s to be rude, ungrateful. And ingratitude is an ugly failing in human beings.”

–David McCullough

In this wonderful 2005 NY Times interview with David McCullough about his book 1776 and about New York in the Revolutionary era comes this comment:

“It is all still happening for me,” [David McCullough] said, gesturing out toward the Manhattan skyline. “A lot of what is here vanishes in my eye and I can put myself in that place and that time.”

“A lot of what is here vanishes in my eye and I can put myself in that place and that time.”

That’s it, isn’t it, that’s the key to David McCullough’s extraordinary gift as a writer and historian.

I found that interview really moving at the time, I remember – I kept it bookmarked – mainly because of his sense of imaginative (and yet research-based) leaps of faith – which were a distinguishing characteristic of McCullough’s beautiful writing: attempting to see the Then alongside the Now, squinting at a landscape to see all that had happened upon it, making the Past come alive, if you squint, maybe you can see the Past. I love doing that when I travel.

I came to David McCullough, like many people did, through his award-winning best-selling biography of John Adams. Anyone who’s read me from the beginning of this site (in 2002) knows my passion for that era in American history. I don’t write so much now about it, but back in the day, it took up months of space on this here site. So when John Adams came out, I, of course, devoured it – but I had already read Catherine Drinker-Bowen’s wonderful bio (as well as her classic Miracle at Philadelphia), and of course the rich correspondence between John and his wife Abigail, AND the correspondence between Adams and Thomas Jefferson. My grandmother said once that the only woman she was ever jealous of was Abigail Adams: she thought her husband (my grandfather) had a crush. lol. It’s very well-worn territory for me. My aunt and uncle live, to this day, in Quincy, so we’d go there for Thanksgiving and we’d drive past “John and Abigail’s house” and somewhere, in my grade school mind, I felt like they were members of my family. No last names necessary. John and Abigail.

So what I’m saying is: the subject matter was not in any way, shape, form, new to me, but I was pulled in by McCullough’s elegant writing, and artful structure, the way he weaves in quotes to tell his story, but also takes the time to discuss all of the philosophical implications of these momentous events: not just to us, but to THEM, back then. Like: what did THEY think they were doing? What did it look like to THEM? That shit MATTERS. There’s altogether too much dismissal of the past as “problematic”, and a yearning for some kind of Maoist Year Zero. Silliness. If you actually READ history as opposed to DISMISS it, then you would know that there is no such thing as a Year Zero. In fact, if someone suggests there should be a Year Zero … run. John Adams made me a McCullough fan overnight.

1776 was, if anything, an even bigger “hit” than John Adams. I REALLY love that one as well.

I read his first book last. His first book, The Johnstown Flood: The Incredible Story Behind One of the Most Devastating Disasters America Has Ever Known, was published in 1970 and has never been out of print. McCullough hit the ground running. McCullough’s meticulous description of that horrifying flood is unforgettable, and he weaves together eyewitness accounts (of those who survived) which he dug out of dusty archives no one had really looked at before. The Johnstown Flood was heavily covered by the press at the time, it was a Titanic-like event, but memory of it had subsided into obscurity. McCullough rebuilt that world in his writing. By the time the flood comes in the book, you understand 1. the era and its challenges 2. the people who lived in the area 3. the class hierarchy of the different groups of people 4. and finally – how the river/hills were shaped, where the dam was, what the problem was with the dam, and how the whole thing was a disaster waiting to happen. The Johnstown Flood is not a long book, but you get all THAT in the book.

One of his gifts was in telling stories, based on contemporaneous material, piecing it together to craft a narrative. For instance: one of my favorite anecdotes from the American Revolution (maybe my favorite is the young woman who donated her stockings to wrap around the oars of the boats for the “one if by land two if by sea” mission), is the image of Benjamin Franklin and John Adams sharing a bed during a short “road trip”, and bickering about whether or not to keep the window open or closed. Here’s McCullough’s telling of it: it’s filled with charm and humor. Nothing too fancy. Just story-telling.

They were to meet His Lordship on Staten Island, and on the morning of September 9, in “fine sunshine”, they set off, the whole city aware of what was happening. Franklin and Rutledge each rode in a high, two-wheeled chaise, accompanied by a servant. Adams went on horseback, accompanied by Joseph Bass. Congress, in the meanwhile, could only sit and wait, while in New York the admiral’s brother, General Howe, temporarily suspended operations against the rebels.

Free of the city, out of doors and riding again, Adams felt a wave of relief from his cares and woes, even to the point of finding Edward Rutledge an acceptable companion. The road across New Jersey was filled with soldiers marching to join Washington, mainly Pensylvania men in long, brown coats. But for the “straggling and loitering” to be seen, it would have been an encouraging spectacle.

The journey consumed two days. With the road crowded, progress was slow and dusty. At New Brunswick, the inn was so full, Adams and Franklin had to share the same bed in a tiny room with only one small window. Before turning in, when Adams moved to close the window against the night air, Franklin objected, declaring they would suffocate. Contrary to convention, Franklin believed in the benefits of fresh air at night and had published his theories on the question. “People often catch cold from one another when shut up together in small close rooms,” he had written, stressing “it is the frowzy corrupt air from animal substances, and the perspired matter from our bodies, which, being long confined in beds not lately used, and clothes not lately worn … obtains that kind of putridity which infects us, and occasions the colds observed upon sleeping in, wearing, or turning over, such beds [and] clothes.” He wished to have the window remain open, Franklin informed Adams.

“I answered that I was afraid of the evening air,” Adams would write, recounting the memorable scene. “Dr. Franklin replied, ‘The air within this chamber will soon be, and indeed is now worse than that without doors. Come, open the window and come to bed, and I will convince you. I believe you are not acquainted with my theory of colds.’ ” Adams assured Franklin he had read his theories; they did not match his own experience, Adams said, but he would be glad to hear them again.

So the two eminent bedfellows lay side-by-side in the dark, the window open, Franklin expounding, as Adams remembered, “upon air and cold and respiration and perspiration, with which I was so much amused that I soon fell asleep.”

I am in that room with those two men. Thank God they both kept diaries.

And then this, on the famous writing of the Declaration of Independence:

[Jefferson] worked rapidly and, to judge by surviving drafts, with a sure command of his material. He had none of his books with him, nor needed any, he later claimed. It was not his objective to be original, he would explain, only “to place before mankind the common sense of the subject.”

“Neither aiming at originality of principle or sentiment, nor yet copied from any particular and previous writing, it was intended to be an expression of the American mind, and to give to that expression the proper tone and spirit called for by the occasion.”

He borrowed readily from his own previous writing, particularly from a recent draft for a new Virginia constitution, but also from a declaration of rights for Virginia, which appeared in the Pennsylvania Evening Post on June 12. it had been drawn up by George Mason, who wrote that “all men are born equally free and independent, and have certain inherent natural rights – among which are enjoyment of life and liberty.” And there was a pamphlet written by the Pennsylvania delegate James Wilson, published in Philadelphia in 1774, that declared, “All men are, by nature equal and free: no one has a right to any authority over another without his consent: all lawful government is founded on the consent of those who are subject to it.”
But then Mason, Wilson, and John Adams, no less than Jefferson, were, as they all appreciated, drawing on long familiarity with the seminal works of the English and Scottish writers John Locke, David Hume, Francis Hutcheson, and Henry St. John Bolinbroke, or such English poets as Defoe (“When kings the sword of justice first lay down,/They are no kings, though they possess the crown. / Titles are shadows, crowns are empty things, / The good of subjects is the end of kings”). Or, for that matter, Cicero (“The people’s good is the highest law.”)

Adams, in his earlier notes for an oration at Braintree, had written, “Nature throws us all into the world equal and alike – The only maxim of a free government ought to be to trust no man to endanger public liberty.”

What made Jefferson’s work surpassing was the grace and eloquence of expression. Jefferson had done superbly and in minimum time.

“I was delighted with its high tone and flights of oratory with which it abounded [Adams would recall], especially that concerning Negro slavery, which, though I knew his southern brethren would never suffer to pass in Congress, I certainly would never oppose. There were other expressions which I would not have inserted, if I had drawn it up, particularly that which called the King tyrant – I thought the expression too passionate; and too much like scolding, for so grave and solemn a document; but as Franklin and Sherman were to inspect it afterwards, I thought it would not become me to strike it out. I consented to report it, and do not now remember that I made or suggested a single alteration.”

A number of alterations were made, however, when Jefferson reviewed it with the committee, and several were by Adams. Possibly it was Franklin, or Jefferson himself, who made the small but inspired change in the second paragraph. Where, in the initial draft, certain “truths” were described as “sacred and undeniable”, a simpler stronger “self-evident” was substituted.

We hold these truths to be self-evident, that all men are created equal.

It was to be the eloquent lines of the second paragraph of the Declaration that would stand down the years, affecting the human spirit as neither Jefferson nor anyone could have foreseen. And however much was owed to the writing of others, as Jefferson acknowledged, or to such editorial refinements as those contributed by Franklin or Adams, they were, when all was said and done, his lines. It was Jefferson who had written them for all time:

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among these are life, liberty, and the pursuit of happiness. That to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed.

David McCullough wasn’t just a good writer. He takes you back so that the people of history seem real, in all their flaws and inconsistencies. You get the sense of them as humans living in a specific time, shaped by events, by atmosphere, by other people, by all the things that shape us in our own time.

I am happy to have lived in the era where McCullough’s star rose, where books like 1776 and John Adams dominated the best-seller lists. Where you could actually look forward to his next book. I will very much miss that, but I am so grateful for him, for spending his life trying to step back into history, and see what the world looked like from the people who lived back then. And I am grateful for him taking us with him.

RIP, David McCullough, and thank you.

“Once upon a time in the dead of winter in the Dakota Territory, Theodore Roosevelt took off in a makeshift boat down the Little Missouri River in pursuit of a couple of thieves who had stolen his prized rowboat. After several days on the river, he caught up and got the draw on them with his trusty Winchester, at which point they surrendered. Then Roosevelt set off in a borrowed wagon to haul the thieves cross-country to justice. They headed across the snow-covered wastes of the Badlands to the railhead at Dickinson, and Roosevelt walked the whole way, the entire 40 miles. It was an astonishing feat, what might be called a defining moment in Roosevelt’s eventful life. But what makes it especially memorable is that during that time, he managed to read all of Anna Karenina. I often think of that when I hear people say they haven’t time to read.”
― David McCullough

Posted in Books, RIP, writers | Tagged , , | 2 Comments

R.I.P. Olivia Newton-John

“Magic” is my favorite Olivia Newton-John track. I’ve listened to it multiple times a week for the majority of my life – it’s on any playlist I put together of Faves – it’s a never-ending source of pleasure.

But we need to talk about “Hopelessly Devoted to You”:

It is an incredible vocal performance that must not be taken for granted. Just because she makes it look and sound so effortless should not diminish the sheer scope of this performance and the astonishing vocal feat that it is. The song is over-played and over-heard, and a favorite at karaoke joints, but do yourself a favor: Clear your mind. Forget that you’ve heard it 100 times, 98 times against your will. Forget all that. And just listen to her performance. Listen to what she is DOING with her insanely gifted and flexible voice. “Hopelessly Devoted” requires range: it requires a high belt. “Since you pushed my love a-s-iiiiiide” … Olivia Newton-John shows no strain: there’s no audible “break” between head voice and chest voice. It’s all one. You never worry she won’t make the notes. It never feels like she’s reaching. Her voice flows up and up and up … it’s as powerful an instrument as Barbra Streisand’s or Donna Summer’s, both of whom have equally insane ranges, with very high belts.

My friend Alex just told this story I never heard before, and it makes total sense:

“Hopelessly Devoted” is as good of a musical theater performance as “The Man That Got Away”.
And Travolta knew it, which is why when he heard it at the studio, he demanded they write him a solo number as well (the mundane and forgettable “Stranded at the Drive In”)

Olivia Newton-John’s voice is one of pop music’s greatest musical instruments. Oh, and Elvis was a fan, too.

RIP. This is a heartbreaker. She was such a huge part of the soundtrack of my childhood and teenage years. And remains so today.

Posted in Music, RIP | 2 Comments

Review: What Josiah Saw (2022)

I recognize the bold choices made here – and it’s always good to see Robert Patrick and Nick Stahl – so I call those things out, but this film was not for me. It didn’t help that I couldn’t get past one of the choices. I interrogated my response – as I always do – poking holes in it, just to see how it stood up to inquiry. And my feeling still stands. I reviewed for Ebert.

Posted in Movies | Tagged , | Leave a comment

“And I knew, then – I didn’t want to know it … – but I knew that I was something else. That the world was not the same.”

I had heard this story before – how Martin Luther King, Jr. convinced Nichelle Nichols not to leave Star Trek – but there’s nothing like her telling it.

Posted in Actors, RIP, Television | Leave a comment