“There is one Metallica. We have many styles, it’s called Metallica.” — James Hetfield

It’s his birthday today. Here’s my review of Through the Never, the 3-D concert film – plus concept film – starring Metallica. I’m really proud of that review.

This clips haunts me. It looks like the world is ending, or a new world is being born with great chaos and violence. Something being unleashed into the world. The bottle smashed.

 
 
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.

Posted in Music, On This Day | Tagged | 5 Comments

“The trouble with Hollywood is everybody is crazy for money.” — Ann Dvorak

Anna McKim chose “Ann Dvorak” as her stage name. She chose a challenging name to pronounce (for American audiences, that is) over her easily-pronounceable real name. Who does that?? Well, she does. It says a lot. It’s mischievous. I love it.

Jen Johans and I delved into the extremely satisfying subject of pre-Code actress Ann Dvorak when I appeared on Jen’s podcast to discuss Pre-Code films. Ann Dvorak should be WAY more remembered than she is. Her career has suffered eclipse for many years basically because so many of her films weren’t seen for decades – in the years before television and VHS and etc. That has since been rectified, with the Forbidden Hollywood box sets – where she reigns supreme – and also streaming platforms. If you have Amazon Prime, put her name in, and some of these old and almost completely forgotten films will come up. Ann Dvorak’s work does not date. It is so unbelievably contemporary: ALWAYS.

Heat Lightning is a relatively recent discovery. Aline MacMahon, known mostly as a sidekick character actress in pre-Codes, and always good, takes center stage, and is heartbreaking and tough-minded and funny. The whole film is great and so worth discovering. It’s streaming on Amazon! In Heat Lightning, Dvorak’s character looks forward to the youth-quake of the 1950s, with films like Splendour in the Grass or Rebel Without a Cause, a restless teenager in a hurry to grow up, bucking up against adult control, flirting with danger, anything to get OUT.


Heat Lightning

Dvorak is probably most well known for her performance in Howard Hawks’ Scarface, one of her films to have been played consistently over the years (and associated with Brian De Palma’s remake). Dvorak is hot-to-trot in it, as the gangster’s sister, busting out of the confines of her family – and her clearly incestuous relationship with her brother (it’s barely euphemistic). She’s wild and “carefree”, wearing a backless dress with straps making an X across her creamy skin. (Scarface is filled with ominous symbolic X-es.)

She’s such a disturbing and deeply connected screen presence.

Her best performance by a long shot is in Three on a Match, directed by Mervyn LeRoy. She is almost spookily ahead of her time. It’s a fearless performance, even for a Pre-Code. The performance doesn’t date at all. Throw her into a 1986 Brian De Palma film, she’d fit right in. The character’s arc is bleak and tragic. She is a rich girl, a rich woman, and … bored. Her boredom is existential in nature. There’s something missing. There’s a blank at the center of all of it, and she can’t really explain it. She just knows it’s there.

And so she runs away. And she takes her child with her. She vanishes into the underworld. And she feels no remorse about the husband who is devastated at his child being missing, who has no idea where she has gone. She is DONE playing by the world’s rules, she is DONE being a “good girl”.

This is not a happy story. She RACES to the bottom. She consorts with gangsters, she becomes addicted to heroin almost overnight, and most probably sells her body to support her habit – all as her little son, a baby, sits across the room looking on, filthy, neglected, traumatized. This is bleak shit, even by Pre-Code standards. And it gets even worse. Dvorak’s performance is unblinkingly realistic.

Three On a Match has not been available until relatively recently, a real loss. But it’s now “out there”, it plays at festivals, it plays on TCM, it’s in a box set. There’s no reason at this point that Dvorak’s performance – or Dvorak – should “sink into obscurity.” Her final scene in Three on a Match is difficult to watch. When you want to swoop in and save a character, when you want to leap through the screen to stop the horror unfolding – you know you’re in the presence of the Tragic.

Dvorak always had a tough side, a sharp edge, but these performances make me think she would have been a phenomenal Blanche Dubois (whose core is quite tough beneath the Southern belle persona). Dvorak lived in the dichotomy: ladylike, tough, romantic, streetsmart … Not a lot of people understand that fluid in-between state, but she did.

My friend Imogen Smith has written a lot about Three on a Match (and pre-Code movies in general), as well as a great piece on Dvorak for Chiseler – which can be read on the Wayback Machine (thanks Carl!). Here’s Imogen on Dvorak in Three on a Match:

You would never guess from this film that Bette Davis would wind up the best known of the three actresses, or that Humphrey Bogart would become a beloved icon, while Ann Dvorak would sink into obscurity.

Cosign.

 
 
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.

Posted in Actors, Movies, On This Day | Tagged , , , , | 8 Comments

July 2025 Snapshots

Dark times. Trying to enjoy things! I’m out of practice!

Kitten sitting for my brother and Melody. The kittens are sisters. They are bonded and sleep together, bathing each other. When they curl up together, you can’t tell where one starts and where the other ends. They have bouts of being absolutely insane, racing around the house. I loved visiting them and seeing what they got up to.

The kittens have a bunch of paper and fabric tunnels lying around the house, and they go absolutely mad running in and out of them, skidding them across the floor. They have so much fun with them so I bought one for Frankie. He loves it. He stalks it, he tosses himself aside, he skids across the floor, he hides in it, the only part of him sticking out his tail. It’s hysterical.

Our great friends Sheila and Mike came up for a weekend visit. It’s been way too long since we’ve seen each other. They stayed at David and Maria’s, and I met them over there in the morning. Mike does these amazing chalk drawings – he even takes requests – and has a whole Instagram feed displaying his work. They came to the Paris Theater in New York a couple years ago when I presented Viva Las Vegas, which was a total blast. Before the movie started, they were hanging out across the street in front of the Plaza. And Mike, the irrepressible chalkman, drew a huge pink swirly flower on the pavement outside of the Plaza. A cop came over and told him he had to stop. It was still there though after the movie. We sat outside and had coffee, quiche Maria made, and just enjoyed being together, talking about everything in a really cathartic way. We decided to drive over to Newport to go to the kite festival out on the Point. I love free shit. Free events you can just attend, and have a nice day out. It was really windy out there on the Point, and the air was full of kites. We set up our lawn chairs on a patch of grass next to the ocean, and just enjoyed the show. I ran into my sister’s best friend in a SEA of people. Welcome to Rhode Island. After a couple of hours, we went shopping for dinner and hung out at David and Maria’s. Dinner was delicious. We talked about the world and all its problems, our nation and what’s happening, and again, it was so cathartic to just share and vent. Good good friends. I drove home late at night, satiated, happy, feeling grateful for my friends. Oh, and Sheila leant me an SPF scarf made out of a piece of stretchy fabric, so you can wrap it around your head, neck and shoulders, and it doesn’t move.

I’m never out in the direct sun for hours on end. I’m so careful about my skin. I’m a vampire. This scarf was so great and so effective I bought one for myself.

I have no photos of Mitchell’s visit. He’s still here. He comes for a month every summer. He stayed with me for a week, the hottest week so far of the summer. It was a high point of the month, even with all of the challenges we currently are facing in terms of family illnesses and managing care. We talked stuff out and supported each other. We lay in our beds and talked, the AC blasting.

I was packing up to go away for five days. I had just come back from a short trip away and Frankie hates to see me take out my suitcase. When he sees it coming out, he sits in it. He wanders around anxiously. It’s so upsetting. I tell him, soothingly, everything is going to be okay and he will have visitors and nothing bad will happen. (His food anxiety is always a worry: it’s so much better now but it ruled his life when I first got him). I packed and when I came out into the living room I saw him sitting on the couch like this. Turning his back to me! I don’t blame him but it still was so cute in its eloquence. I don’t blame him for being mad and “punishing” me.

We stayed in this huge rambling old Victorian house with a pool in the backyard. We all were there. All the kids, all the adults and significant others. The kids spent all day in the pool. I had some work to do (of course) but there was a lot of time to just lie by the pool and read and talk to everyone. My family. I love them.

On Siobhan’s suggestion, we drove to Fall River to see the wonderful Eric Hutchinson play at the Narrows, an incredible performance space. Siobhan is the one who got me into Eric Hutchinson years and years ago after Perez Hilton (blast from the past) linked to him, which catapulted Eric Hutchinson into a kind of fame a singer-songwriter can barely hope for. He woke up in the morning to find that his album Sounds Like This was #1 on iTunes. He was like “What on earth has happened while I was asleep?” That was the power of Perez Hilton back in the day. Hutchinson could have been a flash in the pan but he has continued making music, for over 20 years at this point. Siobhan has kept up with him and has seen him many times. I am now catching up with the rest of his discography. I love Sounds Like This but there is so much more to explore. It was a wonderful night. I haven’t been to Fall River in a long time. The battleships on the waterfront, the warehouses, the smokestalks, the old train tracks … all lit up by the sunset’s dying rays.

We worked on a very challenging puzzle during our vacation: the Great Gatsby puzzle, I think Barnes & Noble brand. It was hard. The image involves three nearly identical fountains, lines of cars, tiny little partying people, multiple nearly identical fireworks … piecing together any of it felt like a major triumph.

The entire plot unfurls in the puzzle. Even poor Myrtle getting mowed down. There are different little Gatsbys all through the puzzle. Lucy did a great job on the main one, Gatsby lying in the pool where – of course – he would eventually die.

We went to go see the production of Midsummer Night’s Dream, put on by our excellent local community theatre. I think I’ve seen five productions so far by this group and I am so impressed. We get really excited and this is now a little tradition we do every summer. It makes me so happy. The play is indestructible – you could have terrible actors up there it wouldn’t matter. The play cannot be ruined. Actors are practically irrelevant. The play’s the thing, etc. But how much fun it is to watch a production of it where everyone was so good, so spot on, where the staging was inventive, the characters were broad but all were grounded in reality – it was the little things, little behavioral things in the background, gestures, Hippolyta literally rolling her eyes as her bombastic husband to be made some lengthy speech. There were so many funny little details. We had a blast. They put the summer Shakespeare plays on outside, and it was packed. The night was so hot we all were drenched, and a little river flows by so there were mosquitos about as well. I kept hearing this noise – a buzzing vibrating kind of noises – and I thought it was someone’s un-silenced cell phone. It was very annoying, especially because the person just refused to silence it. Then Lucy whispered, “It’s the bullfrog.” Oh my God. The bullfrog thought he was in the play. He kept interjecting ad-libbed lines at random points. I love this community theatre because you get to know all the actors – they’re all in everything – so it’s fun to see them again. Hippolyta was a Merry Wife. Bottom was Don John. and etc. People coming together on a hot muggy summer night – with all of the other things they could be doing – they chose to do this. Sit with their community and roar with laughter when Titania wakes up and falls instantly in love with an ass.

Reading
Lord Byron’s letters. My Frankenstein book might be done but I can’t leave the Romantics. Not yet. Byron is so entertaining. He was describing going out with his mistress in Venice and he forgot there were canals so he almost hoisted her into the waves. His description of it was hysterical.
The Anatomy of Fascism, bu Robert Paxton. He used to give a class on fascism and so wrote this book out of his years of analysis and experience. This book came out in 2004. It’s really a study of compare-contrast with Hitler and Mussolini, but it’s broader than that. How these “movements” play out. You can predict it. You can watch it happening in real time.
Happy Hour, by Marlowe Grenados. What a ride. She’s a Gen Z Truman Capote. I devoured it. Adored it.

Posted in Personal | Tagged , , , | 11 Comments

Review: She Rides Shotgun (2025)

I reviewed the film adaptation of Jordan Harper’s award-winning debut novel for Rogerebert.com.

Posted in Movies | Tagged , , | Leave a comment

“He who has never felt, momentarily, what madness is has but a mouthful of brains.” — Herman Melville

“Old nineteenth-century New England must have been fearful–in what other country would Thoreau, Melville, Whitman and Dickinson have been so overlooked?” — Robert Lowell, letter to Elizabeth Bishop, December 12, 1958

Herman Melville was born on this day in 1819. Here’s a post filled with many many quotes about Melville. They come from everywhere: from reviews of Moby-Dick when it first came out, to John Huston’s comment on the book, to Hart Crane’s stunning poem, to correspondence between Melville and his BFF Nathaniel Hawthorne. I love Moby-Dick but I also love his short fiction. Bartleby! BLB: Be like Bartleby. All you need to say is “I prefer not to.” End-stop. I have grown to appreciate Billy Budd (after scorning it in high school). Its homoeroticism so strong it could be transferred to a bathhouse in 1970s New York no problem, or an Abercrombie & Fitch campaign circa 1994. His poetry, too, has been a revelatory discovery.

Art

by Herman Melville

In placid hours well-pleased we dream
Of many a brave unbodied scheme.
But form to lend, pulsed life create,
What unlike things must meet and mate:
A flame to melt–a wind to freeze;
Sad patience–joyous energies;
Humility–yet pride and scorn;
Instinct and study; love and hate;
Audacity–reverence. These must mate,
And fuse with Jacob’s mystic heart,
To wrestle with the angel–Art.

More after the jump:

Continue reading

Posted in Books, On This Day, writers | Tagged , , , , , , , , , , , , , | 12 Comments

“I’ve never been a guy who had more than a toe in Hollywood anyway, so my toe is more easily lopped off than most.” — Richard Linklater

8662485415_2ff0b4de6d_z
Richard Linklater, at Ebertfest 2013, presenting “Bernie.” Photo by yours truly.

It’s his birthday today. One of my favorite contemporary filmmakers (if not my favorite?)

Here’s my essay on Movie Mezzanine: Time After Time: Looking Back at “Before Sunrise”.

Here’s my review of Everybody Wants Some on Rogerebert.com.

Here’s my review of Boyhood.

Here’s my post on Bernie from Ebertfest 2013, with Richard Linklater in attendance and Jack Black calling in (a storm had wreaked havoc on his flight to O’Hare and he couldn’t get there in time: “I’m so sorry I can’t be there with you guys!” he moaned over the loudspeaker.)

tumblr_lf3cg1F2651qcfba3o1_500

It is my belief that of all the Linklater films, in the future, when we are all ashes and dust, School of Rock will be the last one standing. It will outlive them all. I love the clips of the School of Rock 10-year reunion in Austin, with Jack Black and all the “kids”, now all grown up, giving a concert (Richard Linklater in attendance, seen in the crowd in some of the clips).

Richard Linklater is an American master. And his body of work will just grow in stature, even more than it has now. He gets good reviews, but compared to Paul Thomas Anderson or Steven Soderbergh – or maybe just because his films are so funny and usually don’t star A-Listers – he’s just not seen as this “weighty genius.” Weighty geniuses may take up most of the print in their day and age, but it’s those who make it look easy – those who do what they do better than anyone else – people like Michael Curtiz, for example – who often are the ones who create the works that really stand the test of time. Linklater, most definitely, will be one of those guys. Even more thrilling, he’s so YOUNG. He’s turning just 60 years old today! We have so much more to look forward to.

giphy

“It’s tough, man. Unless it’s a tentpole, sequel, remake, or over-the-top comedy, that’s all the studios are even doing. They’ve kind of admitted they’re not in the business of doing anything else. The slightest level of irony or intelligence and, boom, you’re out of the league, you’re done.” — Richard Linklater

Posted in Directors, Movies, On This Day | Tagged | 12 Comments

Happy Birthday, Emily Brontë: “a solitude-loving raven, no gentle dove”

CLKKe-lVAAATC5-

“My sister Emily loved the moors. Flowers brighter than the rose bloomed in the blackest of the heath for her; — out of a sullen hollow in a livid hill-side, her mind could make an Eden. She found in the bleak solitude many and dear delights; and not the least and best-loved was – liberty. Liberty was the breath of Emily’s nostrils; without it she perished.” — Charlotte Brontë

Of all the eccentric Brontë siblings, we know the least about Emily because she almost never left home, and therefore she left behind almost no personal correspondence. Charlotte worked away from home, and was a devoted letter-writer. Not Emily.

I must mention the movie Emily, which came out in 2023. I admired what it was trying to do, although I’m sure some people were pissed. Lots of speculation, of course, but the speculation is an act of imaginative empathy. I loved it: I reviewed for Ebert.

The stories about Emily that have made it down through the centuries are mysterious and slightly scary: she’s there but to some degree she remains un-knowable. A wild solitary woman striding across the moors, preferring nature to people, but also beating her dog viciously, devoted to her dissipated brother Branwell who was running the family ragged, Emily was anti-social, forbidding but … we don’t really know why. Spectrum? Perhaps! Who knows. And then … well, you know, there’s writing Wuthering Heights, a crazy book where civilized society does not even exist as a stable reference point. WHERE did this come from? (I’m not looking for an answer. I am just faced with the incomprehensibility of Wuthering Heights and its inception every time I read it.)

More after the jump.

Continue reading

Posted in Books, On This Day, writers | Tagged , , , , , , , , , , | 11 Comments

“There are no ‘old’ movies really – only movies you have already seen and ones you haven’t.” — Peter Bogdanovich

A re-post of the huge thing I wrote after Bogdanovich died, ending with my personal encounter with him where he kissed my hand.

I cannot sufficiently express what his films have meant to me, let alone his writing about films which has been almost as influential.

When we were kids, our parents let me and my brother stay up late twice (in my memory, at least) on a school night so we could see two movies. One was The Sting and one was What’s Up Doc? Both were formative experiences for me, albeit in very different ways, and What’s Up Doc? continues to be an O’Malley Tradition (Lucy was Eunice Burns for Halloween this year!) I am lucky to have friends – from literally every era of my life – who also love What’s Up Doc? and can recite it start to finish. Seriously. Childhood friends. College friends. Friends from work. It’s like a secret code. You’re standing at a party, and you’re bored, and someone says “Don’t you know the meaning of propriety?” and you know you are in the presence of a Kindred Spirit.

Continue reading

Posted in Directors, Movies, Personal | Tagged , , , | 8 Comments

“People don’t know it, but I’m primarily Irish. We get these dark periods.” — William Powell

William Powell

“I have never gone into a picture without first studying my characterization from all angles. I make a study of the fellow’s life and try to learn everything about him, including the conditions under which he came into this world, his parentage, his environment, his social status, and the things in which he is interested. Then I attempt to get his mental attitude as much as possible.” — William Powell

William Powell was a man of such charm, such wit, and yet also such warmth, he seemed to have chemistry with everyone. He had sparks with every single co-star. There’s nothing better than William Powell opposite a woman who gives as good as she gets. Of course there’s all of the films he made with Myrna Loy – 14, I think? – their chemistry is so dreamy, so exhilarating, it’s like you get drunk watching them. But again, he had chemistry with everyone. Jean Harlow. Kay Francis. Carole Lombard. Jean Arthur. Irene Dunne. These are all very different women, women of different types with different energies. He clicked with them ALL. He also had chemistry with inanimate objects. There was an intimacy in his demeanor and this made him highly aware of his surroundings, alert to everything: people, himself, his clothes, his drink and cigarette.

Now why is that? Chemistry like this is ephemeral, fleeting, impossible to manufacture.

I think the key is William Powell legitimately found women delightful. Truly. With no condescending old-fashioned chivalric patriarchal stuff. He just found women interesting and fun. He liked them. There are many many male romantic leads who don’t seem to like women all that much. They may desire them. But they don’t find them interesting and fun. Burt Reynolds got a kick out of women. He loved flirting and bantering. He lit up when women were around. Nothing was more fun for him. It’s no mystery why Burt Reynolds was one of the biggest sex symbols Hollywood has ever seen. Nothing sexier than a funny man who seems to like women. (Note to incels … Also, note to incels: William Powell was not, how you say, classically good-looking, or buff, or sleek. Look at him. But he was SEXY.) William Powell had what Burt Reynolds had. And if you have THAT, then you have chemistry with all kinds of women. You like hanging out with snooty dowagers and young heedless flirts. They’re all interesting to you.

His chemistry could exist in the amoral decadent world of Kay Francis (they were dynamite together) and in the screwball loopy world of Carole Lombard.

He could be so so silly. (The fly fishing scene in Libeled Lady. The entirety of Love Crazy.) He was devastating when he was tender. (Swoon.) He was witty and urbane, immaculate in his tux and tails and top hat and martinis … but he always had a streak of absurdity, he was attuned to it. He seemed to like when a woman got the best of him. It turned him on. This is why his chemistry with Myrna Loy was so dynamite. Here’s a wonderful piece I found about all the films Powell and Loy did together.

Powell said of their work together:

When we did a scene together, we forgot about technique, camera angels, and microphones. We weren’t acting. We were just two people in perfect harmony. Many times I’ve played with an actress who seemed to be separated from me by a plate-glass window; there was no contact at all. But Myrna, unlike some actresses who think only of themselves, has the happy faculty of being able to listen while the other fellow says his lines. She has the give and take of acting that brings out the best.

Powell was involved with two hugely talented – and FUNNY – women who came to early tragic ends: Carole Lombard (whom he married, and divorced) and, before that, Jean Harlow. He was devastated by their deaths, and filled with guilt about poor Harlow, whom he didn’t marry. In 1940, he married again, to Diana Lewis – an actress and contract player. Their marriage lasted until his death in 1984.

“Unfortunately, or perhaps it is fortunate that I have always been forced to stand on my acting ability. I haven’t a personality such as Jack Gilbert’s, for instance, that attracts women and makes them like me for myself. When I am on the screen I must make them forget me entirely and think only of my acting.” — William Powell

I respect his humility and understand what he is saying, but his personality was attractive and he attracted women to him like the proverbial flies. I mean, look at his girlfriends/wives! Wisecracking funny women! It is also true his focus was on his acting ability: he wanted to be known for it. The way he speaks about acting is intelligent and aware. Look at how he describes what set Myrna Loy apart from other actresses: how she listened. I know I go on and on (and on) about the importance of listening – but it really can’t be stressed enough.

Powell was a great listener, a great actor, and VERY attractive. He had it all.

 
 
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.

Posted in Actors, Movies | Tagged , , , , , , | 6 Comments

Frankenstein First Look: Vanity Fair

Expansive article in Vanity Fair about Guillermo del Toro’s Frankenstein, complete with luscious images – first looks (besides the trailer) – of this film, exclusive to Vanity Fair. They’re still holding back Jacob Elordi as the monster – so smart – he’s not fully seen in the trailer either. But here’s a first glimpse, even though he’s still cloaked.

The article has interviews with almost everyone.

It’s so cool to be at least a little bit involved with this project, and having gotten the chance to talk to all the people responsible: storyboard artists, costume designer, actors, the whole thing. My book is scheduled to come out in October. There will be bookstore events and when I know more I’ll list them here.

It’s also set to premiere at the Venice Film Festival, followed by the Toronto Film Festival. (This past week, four soundstages in Toronto have been renamed after Guillermo. So cool and so deserved.)

If you haven’t seen it, here’s the trailer! It’s going to be a busy fall.

Posted in Books, Movies | Tagged , | 2 Comments