Tag Archives: Pre-Code

“As long as they pay me my salary, they can give me a broom and I’ll sweep the stage. I don’t give a damn. I want the money.” – Kay Francis

“My life? Well, I get up at a quarter to six in the morning if I’m going to wear an evening dress on camera. That sentence sounds a little ga-ga, doesn’t it? But never mind, that’s my life … When … Continue reading

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December 2024 Viewing Diary

The Last Showgirl (2024; d. Gia Coppola) Pamela Anderson gives my favorite performance by a woman this year. I reviewed the film for Ebert. Dark Waters (2019; d. Todd Haynes) I love movies about rapacious evil corporations, and a dogged … Continue reading

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“My ambition is to be an actress. Hollywood had no parts for me.”—Theresa Harris

It’s her birthday today. Criminally, Theresa Harris often went uncredited in the films she appeared in. Nevertheless, she always made an impression. She is probably most well-known now for her unforgettable and realistic performance in the pre-Code Baby Face, as … Continue reading

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Screen Slate 2024 Poll

Happy to participate in Screen Slate’s annual poll: Best Movies of 2024: First Viewings & Discoveries and Individual Ballots My pics: Fun to scroll through – so many people polled, including directors like Pedro Almodovar and Whit Stilman!     … Continue reading

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October 2024 Viewing Diary

Downfall (2005; d. Oliver Hirschbiegel) I’ve watched a couple of times. Always good to have a reminder of the madness of those final months, where even the most hardened monstrous men were like, “… uhm, yeah, he’s a lunatic, I’m … Continue reading

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September 2024 Viewing Diary

My First Film (2024; d. Zia Anger) In my Top 10 of the year (so far). I reviewed for Ebert. Sweetheart Deal (2024; d. Elisa Levine and Gabriel Miller) A very upsetting and beautifully made documentary, representing a decade of … Continue reading

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Mirrors #22

Working Girls (1931) Directed by Dorothy Arzner! I did a deep dive into this pioneering director’s work when I was working on the Dance Girl Dance essay for Criterion. I really like her films. I hadn’t seen this one! Two … Continue reading

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Mirrors #21

Constance Bennett and Clark Gable, What Price Hollywood? (1932)

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“The trouble with Hollywood is everybody is crazy for money.” — Ann Dvorak

Anna McKim chose “Ann Dvorak” as her stage name. She chose a challenging name to pronounce (for American audiences, that is) over her easily-pronounceable real name. Who does that?? Well, she does. It says a lot. It’s mischievous. I love … Continue reading

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“I’m not a yesterday’s woman. I’m a tomorrow’s woman.” — Barbara Stanwyck

A real actor’s actor. She was great from the start. She was tough and practical. She didn’t have to act that. She also had deep wells of feeling, and she didn’t have to reach. She could break your heart and … Continue reading

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