Supernatural: Season 1, Episode 1: “The Pilot”

Re-post for Sheltering-in-Place Re-watch

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Directed by David Nutter
Written by Eric Kripke

There are a couple of story formats set up in Supernatural‘s pilot. There will be the “Monster of the Week” story (which sometimes, in later episodes, doesn’t come up at all), where the Winchester brothers travel to some random small town on a tip that weird supernatural shit is going down there and they proceed to investigate the case. The whole show could have ONLY been “Monster of the Week”, but thankfully Supernatural had bigger tricks in its pocket, and they laid those seeds down in the pilot. A really bold choice in the show, as it is set up, is to delay gratification for sometimes SEASONS. It’s an enormous risk. But it paid off, and it is amazing to see how well the Supernatural mythology holds up, even being drawn out over 3, 4 seasons, sometimes even more.

The other story format is the larger arc I’ve discussed, which is set up for us in the teaser to the entire series. It is the mystery at the heart of the Winchester family. It is what gets the ball rolling. There is still more to learn about the history of not only the Winchester family but the Campbell side of the line, and we are still doing that now, in season 9.

This dovetails into the larger THEME of the show, which I would say as being to do with the crucial question of Free Will: what is it? How does it work? Is “destiny” real? Are things foreordained? Or do we have a choice? In later seasons, the Free Will issue becomes (literally) a celestial conversation, with implications for all of us, but it’s far more earthy in the pilot. Free Will in the pilot has to do with the roles assigned to you in your family dynamic. Are we free to choose another role? So-and-so is the “black sheep”, so-and-so is the “good one”, and these roles continue to play out into adulthood in sometimes destructive ways. Can you break free? Sam Winchester seems like the “good” one, because he’s in college and has a nice girlfriend and goals, but then we learn that HE was the “black sheep” of the family BECAUSE he went to college. This unfolds in sometimes-awkwardly-written exposition in the pilot, but they had to get that all in there somehow at the get-go, and they did.

Free Will brings up larger questions, which are also hinted at here, things that will explode later. What does “destiny” mean? Is it real? Dean’s not big on destiny. He believes you have choices and you act accordingly. But in the same breath, he tells Sam that dreaming of a white picket fence life is bullshit because what Sam IS is a hunter, “you’re one of us”. So I guess it depends on whose destiny you’re talking about, hey, Dean?

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This underlying Free Will theme sets up the series in yet another genre, which is Family Drama. These are a lot of balls to keep in the air.

So let’s get down to brass tacks. This is long. I can’t seem to help it. I’ll try to rein it in in future re-caps, but this one seemed to demand more conversation. Or, whatever, I just felt like talking about it. Avaunt!
Continue reading

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Music Monday: Warsaw, Pt. 1: Court and Sparklehorse, by Brendan O’Malley

My talented brother Brendan O’Malley is an amazing writer and actor. He’s wonderful in the recent You & Me, directed by Alexander Baack. (I interviewed Baack about the film here.) His most recent gig was story editor/writer on the hit series Survivor’s Remorse. Brendan hasn’t blogged in years, but the “content” (dreaded word) is so good I asked if I could import some of it to my blog. I just wrapped up posting his 50 Best Albums. But I figured I’d keep “Music Monday” going with more of the stuff Bren wrote about music.

His writing is part music-critique, part memoir, part cultural snapshot. A reminder that many of these pieces were written a decade ago, in some cases more. Melody is now my brother’s wife (and like a sister to me), and they have two sons, whom I love dearly. And Bren’s son Cashel is now a college student. WTF.

I have always loved Bren’s writing, so I am happy to share it with you!

Warsaw, Pt. 1: Court and Sparklehorse

When Melody first moved to New York, she settled into an apartment with two gay roommates. This seems to be some sort of unwritten law for young actresses, the “queen of your very own gay kingdom” syndrome, the “they live vicariously through my makeup and shoes” rite of passage. This is a very curious thing for a boyfriend to go through. Where does the jealousy go when the guy doesn’t want to sleep with your girlfriend but wants to BE her?

Melody was like the Pied Piper-ette of Gay Men. She walked the streets of Williamsburg and gay men fell out of tea shops flipping their scarves and apologizing for gushing over her pumps and the dress cut on the bias. They would rave about her hair, ask to caress her hips, pledge undying love. Occasionally they mistook me for a fellow worshipper instead of the king of the castle.

During her time in that hip-tropolis, a club opened that has since become a fixture. It is called Warsaw and it is the former Polish meeting house or some such. You go see a rock show and the fluorescent-lit white tile kitchen pumps out kielbasa and sauerkraut. The main room is a big square wood floor space with giant paintings of Polish men riding horses in breeches and boots. One can’t help but picture a sparsely attended meeting of the Polish Businessmen’s Association as they wrestle with the question of how to compete with spaghetti joints and Korean grocery stores.

Whoever opened Warsaw was shooting for the moon. The room seems to drink in sound and give it back to you. It is almost a perfect square and there are no obstructions to viewing the stage. Melody had introduced me to a band called Sparklehorse who were coming to town.

My memories of New York are strange to me. It is as if it was one long fever dream, 8 years of swimming upstream, worn raw but defiant. The specifics of the Sparklehorse concert have disappeared behind me in the current. I know I went. I know I must have stood in the throng with Melody on my arm. I know her wardrobe by heart so I can even picture the different things she might have worn.

But that is the problem. I would be inventing my own memory. As it is, the only picture I posess upstairs is the lead singer, tall and bearded, swaying slightly off-balance behind his microphone stand. I remember thinking about how heroin had nearly killed him. I don’t remember walking to the show, eating pierogis, kissing Melody, although I know I did all of those things.

It is much like the old tree-in-the-woods question. If a man goes to a concert and doesn’t remember it, was he ever actually there in the first place? I must have been because I even have the ticket stubs somewhere.

So today when I thought of beginning a Warsaw trilogy with the Sparklehorse concert, all I could think of was Melody trailing gay-postles down the streets of Williamsburg. Which, when you think about it, might be a better memory anyway.

— Brendan O’Malley

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The Film Comment podcast: On Jean Arthur and Dead Ringers

I so appreciate the editors of the various outlets where I work, keeping things up and running as much as possible, especially in lieu of the massive shutdown of theatres and arthouses, with movie premieres pushed back indefinitely. I still have assignments, in other words, a blessing in this difficult time. I’m a freelancer. I don’t work, I don’t get paid. My thoughts go out to everyone in similar positions, with no net at all.

At any rate, Film Comment has been putting out a daily podcast – normally it comes out once a week – where editors and contributors talk about whatever they’ve been watching during this time of isolation. It’s a way to connect, from our different apartments, and it’s a way to still engage with an audience, many of whom, too, are watching a ton of random shit while they’re holed up.

Editor-in-chief Nicolas Rapold, digital editor Clinton Krute and I, joined together, to discuss what I’ve been watching. I sent in a list of the random stuff, so they too could weigh in. In general, the last month has been taken up with Jean Arthur’s films, in preparation for my latest column. Nic and Clinton, of course, are familiar with her so we had a really fun discussion. Then we make the most improbable swerve in film history to discuss David Cronenberg’s bizarro Dead Ringers, about the psychotic gynecologist identical twins (played brilliantly by Jeremy Irons). I saw the film in its initial release and have never seen it since. It has, at times, been un-seeable, due to unavailability of DVD, to it not streaming anywhere, to whatever technological innovation has left it behind. For years, it was “out of print.” Anyway, I suddenly saw it was streaming on Amazon Prime, and I watched it.

So we talked about that too.

Have a listen. My cat Hope makes a cameo.

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Present Tense: on Jean Arthur

For my next Present Tense column at Film Comment (because life goes on and I am very grateful that all of my work is web-based and can continue in this climate): I wrote about one of my favorite actresses, whom I’ve kinda sorta written about, but mostly in reference to specific films she’s in. Not centering my discussion on her. So this was fun. I wrote about the great, the unique, Jean Arthur.

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On Ebert: What to Watch During a Quarantine

The contributors at Rogerebert.com all wrote up briefly what we have been watching while we have been “sheltering in place,” especially if it was streaming. Passing it on for those of you looking for ways to pass the time and not go insane. And I did put Supernatural on there, since 14 seasons are streaming on Netflix. Newbies don’t need to know how we all feel about the last 3 seasons.

Also: how are you handling self-quarantine, if you are in that position? How are you managing your time? What are you watching? Reading? Of course worry and uncertainty is a given – which makes this “free time” not feel “free” at all. (One of my best friends “has it” and is now on mandatory lockdown. It’s a mild case apparently and he is a healthy person already – but still, it’s terrifying. And there are many people I know and love who are in vulnerable populations with health issues – and so if you are one of those young DINGBATS who are still going out to bars, or to spring break, saying “Well, I’m not going to get sick, so what’s the big deal” – stop reading me. Immediately. I don’t want heartless dummy-dumbs as an audience. Awful selfish people.)

Yesterday, there was some problem with the water main in my area. I didn’t have water all day. It was unnerving and gave me a sense of how quickly civilization could break down, given the right perfect storm of circumstances.

Anyway: what are you watching? Reading? Anything to pass on?

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Stay Safe and Healthy. Follow Instructions. Elvis’ Orders.

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Music Monday: Hollywood Bowl, Pt. 3: Indiana Star Jones Close Encounter Wars!, by Brendan O’Malley

My talented brother Brendan O’Malley is an amazing writer and actor. He’s wonderful in the recent You & Me, directed by Alexander Baack. (I interviewed Baack about the film here.) His most recent gig was story editor/writer on the hit series Survivor’s Remorse. Brendan hasn’t blogged in years, but the “content” (dreaded word) is so good I asked if I could import some of it to my blog. I just wrapped up posting his 50 Best Albums. But I figured I’d keep “Music Monday” going with more of the stuff Bren wrote about music.

His writing is part music-critique, part memoir, part cultural snapshot. A reminder that many of these pieces were written a decade ago, in some cases more. Melody is now my brother’s wife (and like a sister to me), and they have two sons, whom I love dearly. And Bren’s son Cashel is now a college student. WTF.

I have always loved Bren’s writing, so I am happy to share it with you!

Hollywood Bowl, Pt. 3: Indiana Star Jones Close Encounter Wars!

My son is still at the age when most music bores him. Sitting still long enough to take in a piece of music is just not important. There are some exceptions.

He knows Green Day’s American Idiot album by heart. I highly approve of this mania and we have spent many a moment in the traffic of LA singing along to “Holiday”, “Jesus of Suburbia”, and “Boulevard of Broken Dreams”. The next time they tour, Cashel and I will be in attendance.

He’s always loved The Beatles, who I believe to be the first/best children’s music artists.

He shook his little diapered rump to the Billy Bragg/Wilco/Woody Guthrie Mermaid Avenue album just as he was starting to walk.

He called music “doo-doo wa-doo” after a bit of nonsense singing on Dr. Mars first album. The song “Then She Says” has those syllables and Cash would say “doo-doo wa-doo” when he wanted to listen to music.

But Cashel’s musical hero is of course a product of the movies. John Williams. He has all the soundtracks to the Star Wars films, he prefers Williams’ work on the Harry Potter films to his successors, and he can identify a Williams’ piece immediately.

For his first piano recital he played the “Death Star” theme. He also entered the stage with his arms thrust in the air in triumph as if he were a lead singer addressing an arena of adoring fans, but that is another story.

Every year in the fall, John Williams comes to The Hollywood Bowl and performs music from the films that he has worked on and also music from the film composers who most influenced him. I bought tickets and decided to surprise Cash.

I’d forgotten, however, that surprises do not fill him with excitement. They make him grumpy. Poor kid gets control freak genes from both sides.

You would have thought I was taking him to the dentist. I had gone too far along on the surprise bit to break and it became a test of will. He sat in the back seat mumbling and asking pointed questions about how long it was going to be and why couldn’t we just go to the movies instead. And it better not be too loud whatever it was and what if he couldn’t see over the people in front of him. By the time we pulled into the parking lot he was about to have a Close Encounter with my temper.

For those of you who haven’t been to The Hollywood Bowl, you sometimes wind up parking a good ways away. Down a hill.

Mr. Grumbly-pants kept up an incessant monologue about how tired his legs were and how far we had to go. He was like Sam and Frodo climbing Mt. Doom.

There on the marquee in front of us were the words “John Williams At The Movies” or something to that effect.

To Cashel’s credit, he began to positively gush with excitement. I shifted gears along with him even though he’d been a royal pain in the butt.

We got to our little section of bench and snuggled up against the chill.

What followed was pure entertainment. I had been concentrating on what this would be like for Cash, seeing music from Star Wars, Indiana Jones, etc. But as the orchestra wove its way through all of this music, I realized it was like a soundtrack of my past.

All of a sudden I was back seeing Empire Strikes Back at a drive-in with all of my cousins on my mother’s side. I was seeing that text scroll across the stars. I was gasping at the size of the space ship. I was pretending to be Han Solo in the backyard. Hell, I was 10 again.

And so the surprise that I’d sprung on Cash was actually on me. And, just like Cash, it wiped my grumpiness away. There was John Williams, in his 80’s, waving that baton and bringing all those stories to life through his music.

On the walk back to the car, Cash didn’t even notice how far he’d gone.

— Brendan O’Malley

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My Social-Distancing “#StayTheFHome” Reading List

Have a lot of writing to do, plus my day job, which I already do remotely (so hanging around in my apartment with my cat is not all that big an adjustment), although having three weeks of perishable food lined up in my kitchen is a new development … However, many of my upcoming activities (all screenings, for one, including multiple film festivals, from the TCM Fest in Los Angeles (it would have been my first time going: sad!) to Ebertfest- have been canceled. I need to occupy myself so I don’t go insane. Here are the things I am reading: a little bit of each one a day, just to shake it up.

H.D., the life and work of an American poet – by Janice S. Robinson. This is FASCINATING. H.D., one of those who launched Modernism, and certainly the driving force and – Muse of many others – behind Imagism (Ezra Pound started “his” movement by promoting her work.) Here’s my H.D. birthday post. Always wanted to learn more about her. Briefly engaged to Ezra Pound (he was the first person to kiss her), she then had an affair with D.H. Lawrence, before shacking up with novelist Bryher (the pen name of Annie Winifred Ellerman) basically for the rest of their lives. They lived in Switzerland mostly, and raised H.D.’s (illegitimate) daughter – conceived during H.D.’s marriage to poet Richard Arlington – he was not the father. H.D. got around, although her goal was always a kind of spiritual marriage with one simpatico person. H.D. was involved in multiple romantic “triangles” throughout her life. It seemed to be how it worked for her. Anyway, I am learning a lot. This book was published in 1982 or something like that, and it’s refreshing to read a biography that is also really a work of literary criticism WITHOUT the annoying alienation of all that post-modern criticism, which I just can’t get into, mainly because I have no training, and it seems like the thing where you need training. No thank you.

Cultural Amnesia: Necessary Memories from History and the Arts, by Clive James. I can’t believe I’ve never read this TOME before. I started it before I quarantined myself, reading a little chapter a day: each chapter is on another figure, arranged alphabetically (I love the structure, you never know who is coming next), and I have already added to my reading list based on this book. He’s also a wondrous writer.

In Search of Lost Time, Vol. II: Within a Budding Grove, by Marcel Proust. Finally tackling this. I finished Part 1 in January. Nobody told me this book was funny. Often laugh-out-loud funny. The insanity and despair of a teenage crush. A couple pages a day. This is gonna take me forever. But I’ve got time.

The Nick Tosches Reader – compiled by the man himself: a lifetime of writing. One of my favorite writers of all-time, for his prose filled with incandescence and darkness, back to back. Light and dark, not so much competing as co-existent. Very few people can even bear it. He could. His writing makes me want to faint. Or go to church.

American Poetry : The Twentieth Century, Volume 1 : Henry Adams to Dorothy Parker: the Library of America volume. For years now, I start off my day reading poetry. It’s a thing. It started with the year I worked my way through Stephen Booth’s extraordinary edition of Shakespeare’s sonnets (wrote about it here). His footnotes are so extensive I decided to just do one a day. One of my favorite reading experiences ever. I highly recommend it. At that link, I wrote about why Stephen Booth is so special. Again, none of this post-modern deconstruction nonsense. Sorry if anyone’s into that. Good for you. I am NOT. I didn’t go to school for English, maybe that’s why. I was a big reader in high school, and my Humanities classes in high school were pretty straightforward grappling with the text. But that’s the only “training” I had. Approaching literature (or any art) through the lens of a theory is completely foreign to me. Booth’s line by line analyzing of language, on the other hand, is right up my alley. So anyway: that experience was so pleasurable and meditative – a half hour every morning – I got a little addicted to it. I have all these anthologies lying around, so I started on those. And also “collected poems” of various poets, so last year I read the entire work of Frank O’Hara (just one example). I do just a little bit a day, because my brain can’t really absorb too much at one time. I love this whole period: the bridge of the two centuries, the explosion that occurred, the shattering, and what grew in the aftermath.

Lost Girls: An Unsolved American Mystery, by Robert Kolker. Excellent true crime book written by a man who has done his homework. Intensely researched. I believe this has been turned into a Netflix series, which I’ll get into once I finish my Babylon Berlin re-watch.

Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell – it’s just extraordinary, this lifelong correspondence between two poets, lifelong friends. Lowell’s yearly hospitalizations for mania are quite frightening, and you can feel it ratcheting up in his letters, and it goes on such a pattern I find myself thinking, “He’s headed for a crash.” Because Elizabeth Bishop lived in Brazil for so long, while Lowell lived in Boston/New York – they wrote constantly. If Bishop had moved to New York, we wouldn’t have had this correspondence. It’s quite long, this book, so it’s been taking me forever to get through it. I read a couple pages before going to bed.

I kind of rotate through all these different books, switching it up.

I have books lined up for when I finish the ones I’m reading. I also feel quite determined to keep my mind active during this enforced isolation and not spend all freakin’ day online (I say that as I sit here, writing on my website). Still: reading this much is nothing new. I went to college but I was an acting student. My education in OTHER subjects stopped then. So I have always been on a lifelong process of learning about shit I don’t know. So much so that my bookshelves are lined with books about revolutions and counter-revolutions (to everyone now clamoring for revolution: I guess you haven’t learned from history that revolutions always bring counter-revolutions? Which, in general, you do not want). I want to learn about antiquity. The Cold War. The late 19th century. Wars. I want to know about every war. I want to “bridge the gaps” in my knowledge – patching up the holes in whatever I missed. That includes poetry. Of which I have always been a big fan. That being said, here are some books raring to go as I finish the others:

Dismantling Utopia: How Information Ended the Soviet Union, by Scott Shane. Slightly amazed I haven’t run across this book before, since Russia, Stalin, Communism, Brainwashing, Tyranny, etc. have been overriding obsession ever since I read 1984 in high school. At any rate, Clive James recommended it in a throwaway line in the book listed above and I bought it immediately. We learn about the present from knowing about the past, even if it is a lesson of what NOT to do (especially if that’s the lesson). Eventually, we will need to dismantle the utopias fogging the minds of our fellow citizens. And since we now, apparently, are way beyond the possibility of a “Have you no decency” moment, information will be the only way to crack through the brain-fog. (Once a leader – or a potential leader, as it were – “goes after” a Gold Star family – relentlessly – for weeks – and nobody seems to mind, especially Republicans who have acted superior about their pro-military stance, using it as a cudgel against “anti-American lefties”, lording it over them for DECADES – you know we are LOST. When the person who has treated our military heroes with such contempt and disrespect wins the nomination anyway, and becomes the actual leader of the nation? NEVER AGAIN. I will NEVER allow myself to be lectured by a Republican EVER again about my “lack” of patriotism. If you as a Republican watched that Gold Star debacle and said nothing, if you were not critical of you know who – I don’t want that asshole’s name on my site – you have lost any as-you-perceive-it moral high ground. PLUS. The whole RUSSIA thing. You with your Cold War obsession for YEARS and now you kowtow to Russia? At least I’ve been consistent in my support of the military, for which I have gotten non-stop shit from irritated lefties. Y’all need to get your stories straight. I can’t keep up with all your flip-flops depending on who’s in office.) At any rate, I look forward to reading this book.

Under a Cruel Star: A Life in Prague, 1941-1968, by Heda Kovaly. Look at those dates. Ominous dates. (Side note: I am so relieved that I, through sheer osmosis and reading and listening to people who are older than I am, have the timeline of the 20th century in my head. Automatically. I don’t know everything, far from it, but I know the basic chronology. I had an exchange with a younger critic on Twitter, who theorized that a certain Surrealist filmmaker’s films had such an impact because they happened during a “sunnier time.” #1: There is literally no such thing in history as a “sunnier time.” What was “sunny” for one group was “cloudy” for another. Politically, historically, “sunny” doesn’t exist. This woman makes money writing about film. Sunnier time? When exactly would that be in the TWENTIETH CENTURY? Are you kidding me? Generations were lost in unimaginable carnage from start to finish. Two World Wars? A worldwide economic depression? The rise of fascism overtaking democracies? The destruction of Europe? Twice in 20 years? The Holocaust? I’m sorry. This woman may be smart about some things, but she’s also an idiot. I went easy on her in my response. She said, “I guess things are so bad now every other time seems sunnier.” I get it. She’s young. When I was young I knew not to call the 1930s and 1940s a “sunnier time”, though. What the fuck is going on. So now I know what I’m dealing with when I deal with her). At any rate: this is another recommendation from Clive James’ book. He spoke about it so strongly I bought it immediately. But it’s not exactly readily available. It took weeks to get to me. I read the first paragraph and it was so intense I had to put it down. She was decimated by the Holocaust. And then decimated again by the Communist regime following. It’s a slim little volume. I … “look forward” to reading it (if you can look forward to reading one long howl of anguish).

Lost Time: Lectures on Proust in a Soviet Prison Camp, by Jozef Czapski, a writer and painter who did a series of lectures on Proust while he was in a Soviet prison camp during the Second World War. Since I’m reading Proust right now, I thought this might be a good accompanying book. Humans are amazing. You’re in the gulag, and to keep you sane, you give lectures to other prisoners about Proust’s 6-volume book, and of course you’re doing it all from memory, because you don’t have your books in the gulag.

The World of Yesterday, by the monumental Stefan Zweig. A man who watched his world vanish. Watched the rise of brutality. Killed himself with his wife after fleeing Vienna post Anschluss to Argentina. Devastating. (His book Beware of Pity is one of the great novels of the 20th century. Wrote about it here.) And of course his work inspired Wes Anderson’s The Grand Budapest Hotel. But I discovered him long before that movie came out (and glad of it). He is one of THE chroniclers of the end of the Hapsburg empire – which, good riddance, I suppose – but for the Jews of Vienna, that empire gave them a modicum of peace. Enforced uneasy peace. But that was more than they got elsewhere. When it embraced Hitler, it was a crushing blow. This book is a memoir. I haven’t read it.

Looking at all of these together, all I see is war and worlds ending. This is nothing new, though. I’ve been reading books about war and the end of different worlds since high school. It’s prepared me, honestly. Nothing that is happening now is new. The only new thing is social media/the internet and an American president who is a treasonous Russian asset. Other than that, it’s same ol’ same ol’.

I think that’s enough to keep me occupied, along with all the stuff I have to watch, since the writing gigs continue!

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Supernatural and the Croatoan (oh, excuse me) Coronavirus

Word came yesterday that Supernatural has shut down production of its final season, due to the coronavirus threat. It was the right decision. But what does it mean? There were only a couple of months left in filming, a handful of episode left in the season in order to close out the show in total. Jared Padalecki is set to start filming his next series immediately after Supernatural was supposed to finish. Will he be unable to “come back” if they start up production again? Will the season be just left AS IS? This is a horrifying thought. At least in the truncated Season 3, they were able to “cut to the chase”, and close it out with an appropriate ending. I am truly concerned, although I applaud them for making the decision, which had to have been very tough. (Everything I had plans to attend in April has been canceled. TCM Film Festival – it was going to be my first time going! – as well as Ebertfest right after. I wonder about Cannes. I am sure that will be canceled, especially in lieu of France’s recent ban on “gatherings”. I mean, they canceled SXSW. !!! And DISNEYLAND shut down. New York City is a ghost town.) Safety is a priority for the entire cast and crew of Supernatural, and everyone behind the scenes – from costuming to craft services – in close quarters in Vancouver. With all that TOUCHING of equipment … and each other. We’ll know more as this thing progresses.

Meanwhile, I am practicing social distancing (not much different from my real life, to be honest. I work from home already), and binge-watching Babylon Berlin. I already watched it, but there’s a new season out, and I decided to catch up before I launched into it.

With the news of the Supernatural shut-down, it makes me think:

1. They predicted this in Season 2 with the Croatoan virus.
2. I guess I wrote that piece on Supernatural for Ebert at just the right time, huh?

Stay safe out there.

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Review: Stargirl (2020)

I loved the YA book by Jerry Spinelli (my sister often assigns it to her middle-school students – that’s how I heard about it.) But the film adaptation is … odd. I am a fan of Julia Hart’s work though (Miss Stevens – LOVE – and Fast Color) – so I will continue to keep my eyes peeled for her work. I reviewed the film on Ebert.

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