“Gie me ae spark o’ nature’s fire / That’s a’ the learning I desire…” — Robert Burns, “the Ploughman Poet” of Scotland

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“For my own part I never had the least thought or inclination of turning poet till I got once heartily in Love, and then Rhyme and Song were, in a manner, the spontaneous language of my heart.” — Robert Burns

Robert Burns was born on this day in the middle of the 18th century. His family was very poor, they were farmers, he had a lot of brothers and sisters. Yet his father decided that Robert, the eldest, should have an education. Just a bit, mind you. A tutor was hired, and Robert, in between farm chores, learned how to read and write. A world opened up to him through language. Writing came naturally to him. He started writing poems and songs almost immediately. Burns was wild, he loved pleasure, fun, women. As is often the case with people like this, he suffered from depression. He had many illegitimate children.

When I was in Scotland in 2024, I was tied to the Frankenstein shoot, which meant I saw Dundee, Arbroath, Edinburgh, and the landscape out the car window in between Arbroath and Edinburgh as Alex drove me back and forth. And that was it. I had a day off here, an afternoon off there, and I ventured out to explore. One afternoon in Edinburgh, I set out to find a bookstore my friend Ted told me about: Elvis Shakespeare. I found it!. I bought a couple of things: an Elvis 45, a Scottish edition of Frankenstein and – because it only seemed right – the complete work of Robert Burns.

It’s an odd thing: Burns was a farmer’s kid with just a little bit of book larnin’. Where did his writing bug come from?

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Dynamic Duo #47

Fredric March and Gary Cooper.

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Review: In Cold Light (2026)

I love Maika Monroe. She’s carved out her own authentic place in the industry. She’s famous but not, like, Zendaya famous, and this is a good thing. She’s doing good work, she’s not just playing girlfriends or pretty girls, she has very good taste. So I recommend In Cold Light. It’s a thriller and it is thrilling! And she holds the center. I reviewed for Ebert.

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Forbidden Planet interview: The Art and Making of Frankenstein

I forgot I did this interview with Phil Wallis, a filmmaker with Forbidden Planet TV, about my book The Art and Making of Frankenstein. Forbidden Planet just posted it this morning and I was like “Oh! Yeah! I did that!” It’s just my voice, but he put together a beautiful collage of images from the book.

The book is currently sold out, last time I checked. It’s hard to find. I think they will be doing another print run, but I’m not sure when all that will happen.

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“I doubt sometimes whether a quiet and unagitated life would have suited me–yet I sometimes long for it.” — Lord Byron

— And who is the best poet, Heron? asked Boland.
— Lord Tennyson, of course, answered Heron.
— O, yes, Lord Tennyson, said Nash. We have all his poetry at home in a book.
At this Stephen forgot the silent vows he had been making and burst out:
— Tennyson a poet! Why, he’s only a rhymester!
— O, get out! said Heron. Everyone knows that Tennyson is the greatest poet.
— And who do you think is the greatest poet? asked Boland, nudging his neighbour.
— Byron, of course, answered Stephen.

— “A Portrait of the Artist as a Young Man”, James Joyce

It’s his birthday today.

Here is his epitaph to his dog:

One who possessed beauty without vanity,
strength without insolence,
courage without ferocity,
and all the virtues of man,
without his vices.
This praise would be unmeaning flattery if inscribed over human ashes,
is but a just tribute to the memory of my dog.

“Lord Byron is an exceedingly interesting person, and, as such, is it not to be regretted that he is a slave to the vilest and most vulgar prejudices, and as mad as a hatter?” — Percy Bysshe Shelley, letter to a friend

More. much more after the jump, about this ultimate Avatar of the Romantics. The archetype, the mold. He was very very 20th-century.

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“The fault that I acknowledge in myself is to have descended to print anything in verse.” — John Donne

“So difficult and opaque it is, I am not certain what it is I print.” — first publisher of the work of John Donne

It’s his birthday today.

John Donne (1572-1631) was a poet and an Anglican priest (born a Roman Catholic- to quote Monty Python: “a Catholic the moment Dad came”). A metaphysical poet, language vibrating with honesty and sensuality. His work feels – and is – personal: he questions, he badgers God, he declares himself – separately, as an individual. This particular TONE was not at all in tune with the times. He traveled far and wide as a young man, giving him a less than provincial outlook. He made a bad marriage, incurring the displeasure of powerful people which landed him in prison for a time. He had been on his way to a successful career as a diplomat; all undone by his marriage.

Speaking of “undone”, when he wrote to his wife to tell her the bad news of losing his job, he signed the letter: John Donne. Anne Donne. Un-done.

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“Voices ought not be measured by how pretty they are. Instead they matter only if they convince you that they are telling the truth.” — Sam Cooke

It’s his birthday today.

I highly recommend Peter Guralnick’s thoughtful and informative biography of Sam Cooke, Dream Boogie: The Triumph of Sam Cooke, which gives a good sense of the revolution of his career. Moving from gospel, where he made his name with the Soul Stirrers, into secular music, where he had a tremendous gift for writing memorable catchy tunes (understatement). The number of classic songs he wrote is extraordinary (especially since he died at so young an age.) He was also a pioneer in the realm of producing. He did not want to be an employee of anyone. Very early on, he made his moves towards financial independence. He created a studio and set himself up, producing others’ music took up even more of his time and devotion than his own stunning career. He created a space for fellow black artists to do things on their own terms. What a loss. He died just as the civil rights movement was heating up. His life was cut short (through his own reckless behavior, it’s got to be said), but the loss to the culture is incalculable. However: he made very very good use of his time while he was here.

More after the jump.

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Happy Birthday, Leadbelly

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From Tennessee Williams’ play Orpheus Descending:

LADY: What’s all that writing on it?

VAL: Autographs of musicians I run into here and there.

LADY: Can I see it?

VAL: Turn on that light above you. [She switches on green-shaded bulb over counter. VAL holds the guitar tenderly between them as if it were a child; his voice is soft, intimate, tender.] See this name? Leadbelly?

LADY: Leadbelly?

VAL: Greatest man ever lived on the twelve-string guitar! Played it so good he broke the stone heart of a Texas governor with it and won himself a pardon out of jail …

Huddie William Ledbetter was born on this day in 1888, in Louisiana. Some of the details are lost to history, but what is known is that he was already “playing out” at the turn of the 20th century, in and around Shreveport. He was in and out of jail starting in the teens, for owning a gun, for killing a relative. One time, he escaped from a chain gang. While in prison, he continued to sing and make music. John and Alan Lomax (whose names come up again and again in the stories of legendary blues figures in the early years of the 20th century) discovered him in prison in the 1930s. The Lomaxes were determined to capture the sound of these so-called forgotten figures, and they put Leadbelly on tape. They may have been instrumental in getting Leadbelly an early release. Alan Lomax interviewed Leadbelly extensively for his 1936 book Negro Folk Songs As Sung by Lead Belly . (You’ll see his nickname spelled both ways.) As technology developed, these 19th-century blues singers – if they were still around – found a whole new world opening up to them in the 1940s, 50s, and 60s. Folk music was on the rise. Much of it was watered-down but a lot wasn’t. The past moved into the present. These inspirations along with them, playing folk festivals, making television appearances. (See: Furry Lewis, but there are so many more.) Ledbetter, born on a plantation in 1888, ended up touring Europe. He traveled a long long way.

More after the jump:

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Substack: On Cimino’s Defeat and a Theatre of Possibility

Due to my Frankenstein-related 2025, my Substack had to take a back seat. It’s 2026 now!

I interviewed Ryan Czerwonko and Hannah Hale about Adult Film’s upcoming production of Cimino’s Defeat – opening tomorrow at Torn Page! It’s about the film director Michael Cimino, both legendary and cautionary tale. I’m seeing it in a couple of weeks but I really wanted to touch base with these artists and see what they were doing with Adult Film, which has grown in leaps and bounds since I first interviewed Ryan in 2023.

We talked about Michael Cimino, of course, but it was a free-wheeling open discussion about 1970s cinema, John Ford, the importance of hope, the state of theatre right now, Rainer Fassbinder, Polly Platt, Tally Brown, John Cassavetes, the gradations of masculinity and femininity and the expression thereof … as well as their plans for Adult Film. I’ve been tangentially “involved” with this group for a couple of years now and have attended some of their events (they also screened my film in one of their short film festivals). I find what they’re doing thrilling. They’re living the dream, as far as I’m concerned, and I’m always interested in hearing from people who are really DOING it.

Cimino’s Defeat is running at Torn Page from January 20 – February 14.

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At the Lorraine Motel

Taken in Memphis, 2018, on the wall outside the National Civil Rights Museum at the Lorraine Motel

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