Tag Archives: film noir

Max Ophüls’ Caught (1949)

Shot by Lee Garmes, Max Ophüls’ Caught is deeply gorgeous, every shot a work of art, with all of these de-stabilizing points of view, and in-camera “tricks” where human beings seem either miniaturized or giganticized – depending on the power … Continue reading

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September 2022 Viewing Diary

The Deep End (2022; d. Jon Kasbe) I’m into cults but I actively avoid woo-woo, so somehow Teal Swan escaped my radar. Well, she’s on my radar NOW. This Netflix doc is extraordinary because Teal Swan participated in it, she … Continue reading

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July 2022 Viewing Diary

Once Upon a Time in Hollywood (2019; d. Quentin Tarantino) I like it more every time I see it. I’ve seen it maybe 7 or 8 times. Desert Fury (1947; d. Lewis Allen) I adore this messed-up homoerotic Technicolor fever-dream. … Continue reading

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Mary Astor’s wardrobe for her tough-talking butch-matriarch in Desert Fury

Let’s hear it for Edith Head’s conception and design of Mary Astor’s wardrobe in Desert Fury (1947) and its elegant-but-decadent-baroque-butch aesthetic. This Technicolor noir is now streaming on Criterion, and you should see it while it’s there. The film is … Continue reading

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Stuff I’ve Been Reading

Reading for pleasure has taken a hit, what with all the research I’ve been doing, for this or that, and so I haven’t done one of these “stuff I’ve been reading” things in a while. I have barely slept in … Continue reading

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January 2022 Viewing Diary

Crossfire (1947; d. Edward Dmytryk) Went on a little Robert Mitchum kick, thanks to the Criterion Channel. Crossfire came out the same year as Gentleman’s Agreement, and both films deal with anti-Semitism, which was very much on American minds at … Continue reading

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“But even a fancy funeral ain’t worth waitin’ for if I gotta do business with crumbs like you.”

Thelma Ritter’s final monologue in Sam Fuller’s grim masterpiece Pickup on South Street is in my High Watermark Pantheon of screen acting. Forget “screen acting”. Acting, period. It’s a brutally honest monologue – openly tragic – and devastating considering how … Continue reading

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December 2021 Viewing Diary

Nightmare Alley (2021; d. Guillermo del Toro) I will re-post here the thoughts I jotted down on Facebook after I saw it for the first time. I absolutely loved this film. Nightmare Alley is gorgeously shot, with an ominous moody … Continue reading

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The noir world

From Crossfire (1947), starring Robert Mitchum, Robert Young, Robert Ryan (that’s a lot of Roberts), with Gloria Grahame, who only has a couple of scenes but makes a huge impression, of course. I love how in these old noirs – … Continue reading

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Ringing in the new year like …

… Phyllis Brooks in Shanghai Express. It’s such a great character because Shanghai Express is a super weird very dark noir … but SHE thinks she’s in a screwball comedy. … Which is a pretty healthy attitude, if you think … Continue reading

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