“The priority is absolutely on the best take for performance, and frankly I don’t understand why people get so hung up on these issues, because if you look at films throughout history, you will see enormous continuity errors everywhere, particularly when you’re talking about the Academy aspect ratio where you see more in the frame. Even in The Red Shoes, a film that nobody ever has complaints about, there are enormous continuity bumps, and it doesn’t matter. You know why? Because you’re being carried along by the power of the film.” — Thelma Schoonmaker
It’s the birthday of Thelma Schoonmaker, the legendary editor-partner to Martin Scorsese. In 2015, I had the great honor to interview her about the restoration of Michael Powell and Emeric Pressburger’s Tales of Hoffmann, which she supervised. She was so much fun to talk to, so lively, full of interest and humor. I also love her comment on continuity.
For Film Comment, I wrote about Mary Ellen Bute’s 1966 film adaptation of James Joyce’s FINNEGANS WAKE. It is Thelma Schoonmaker’s first credit as an editor.
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.
Remember when Rachel Sklar didn’t know who Thelma was?
https://misskarina.wordpress.com/2007/03/22/la-blogger-continues-campaign-against-ny-hollywood-press/#more-167
oh my God, Bess, I totally forgot about that. smh
Thelma’s editing is flawless. A master of the craft.
I always love how all these years later her face still lights up whenever she discusses Michael Powell.
Happy New Year.
Maddy
Happy new year to you too Maddy!
Yes, she’s still so excited about things – talking to her you could feel her enthusiasm through the phone. and I think she was in Taiwan or something. She was so generous with her time – and we went over the allotted time I was given. She is so great. And she was so excited about tales of Hoffmann (to your point about Michael Powell).
She’s such an artist. I could listen to her talk about editing and movies all day!