My booklet essay on After Hours, is up on Criterion’s site. Criterion’s release is now available for purchase.
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- Upcoming dates: Frankenstein
- Getting unstuck
- “Where am I coming from? Where am I going? A fusillade of question marks.” — Ciarán Carson
- Frankenstein coming to life …
- “I grew up believing that I was fundamentally powerless.” — Thom Yorke
- Frankenstein and Tiffany, part deux
- “I want to live, not pose!” — Carole Lombard
- “When I’m performing, that’s the real me.” — Billy Lee Riley
- “If someone spends his life writing the truth without caring for the consequences, he inevitably becomes a political authority in a totalitarian regime.” — Václav Havel
- “[At Swim-Two-Birds is] just the book to give to your sister, if she is a dirty, boozey girl.” – Dylan Thomas on Flann O’Brien’s masterpiece
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- sheila on “When I’m performing, that’s the real me.” — Billy Lee Riley
- sheila on “When I’m performing, that’s the real me.” — Billy Lee Riley
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- sheila on Premiere of Frankenstein official trailer!
- sheila on Premiere of Frankenstein official trailer!
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- sheila on “I wish I had not been so reserved.” — Joseph Cornell’s final words
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- sheila on “Teens always heard my music with their hearts. The beat was just happy. It didn’t have color or hidden meaning.” — Fats Domino
- sheila on “Teens always heard my music with their hearts. The beat was just happy. It didn’t have color or hidden meaning.” — Fats Domino
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Congrats, Sheila!!!
thank you Walter!!
When everything is important but nothing is understood, the world is a maddening place…..When she finally does appear, she’s different somehow….He doesn’t know that he is not in charge of the keys; they’re in charge of him.…the cacophony of objects and their fetishisation…yesss this is such a spot-on read of how disorienting the movie is and the way everyone and everything betrays their immediate presentation (the treachery of images?). Like the only thing that maintains in this movie is that little graffito of the shark eating a guy’s dick and the way that Scorsese just sits on that for a deadpan beat (soo funny, Dunn’s face!) before he/they have to move on to the next betrayal.
I love all the connections you make here too, from the odyssey and the trial to marnie, and draw out its place in MS’s NYC oeuvre. Great read. Congrats!! Looking forward to the next one!
Jessie – thank you!!
// the way everyone and everything betrays their immediate presentation (the treachery of images?). //
Yes! I love how you put this! He is fooled again and again – what is HIS immediate presentation? I think of the scene where he offers to give Kiki a massage – and … he’s so creepy – but that may just be my own personal experience with guys I called “Backrub Boys” – ever since college, when a guy in the theatre department was constantly offering to give girls backrubs – and … you just knew it was a stand-in for the other kind of contact none of us would give him – and so … there were strings attached to the backrub, and he couldn’t understand why other guys “got to touch us” – I mean, he never said this, but it was all in the VIBE of the backrub. Not an obvious quid pro quo – but there nonetheless. Backrub Boy is now a shorthand in my group of friends – it’s a TYPE. Paul is definitely a Backrub Boy – and … nobody is into it. Teri Garr projects onto him something that is not there – Rosanna Arquette is using him for her own mysterious purposes. Catherine O’Hara is out for blood – and he is fooled by her blonde glamour – aren’t they all?
Oh God, the shark graffiti. I LOVE that camera move. and yes – Dunne’s face! he just stares at it. Blank. Nothing else needs to be said.