2024 Year in Review

I put together a fairly extensive year in review: links and thoughts and thanks.

I really appreciate everyone who stops by here on occasion and leaves comments, and I appreciate those who don’t leave comments, but read! And thank you to anyone who supports me elsewhere. Writing as a profession is lonely. By nature it is solitary. So people wanting to read my stuff really matters.

 
 
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.

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“The people must grant a hearing to the best poets they have, else they will never have better.” — Harriet Monroe

“I started in early with Shakespeare, Byron, Shelley, with Dickens and Thackeray; and always the book-lined library gave me a friendly assurance of companionship with lively and interesting people, gave me friends of the spirit to ease my loneliness.” – Harriet Monroe, A Poet’s Life: Seventy Years in a Changing World

It’s Harriet Monroe’s birthday today. She was the founder of Poetry magazine in 1912. Before that, she was a struggling poet, a lover of poetry, frustrated, and that frustration led to her starting up her magazine. Right off the bat, she had a mission. She would create a place open to new voices, experimental voices, poets who could not get published in legacy magazines. To say she succeeded would be an understatement. She is one of the most influential people in 20th century literature. She was the first to publish T.S. Eliot’s “Prufrock”. Poetry magazine was the first to publish D.H. Lawrence. She was drawn to the new, the bold and radical. She was uninterested in consensus thinking, and had no allegiance to poetic established norms. The Objectivist and Imagist movements – stark breakaways from Victorian-language embellishments – were allowed to flourish because Poetry published the works of these poets. People like H.D. (Ezra Pound sent H.D.’s first poems to Harriet Monroe, who published them. Monroe was constantly harangued by Ezra Pound to check out this or that new voice.) The more established magazines mocked Poetry as a rag devoted to untalented misfits. But Poetry is still going strong today.

In the 2nd edition, Monroe printed the policy of Poetry:

Open Door will be the policy of this magazine—may the great poet we are looking for never find it shut, or half-shut, against his ample genius!

Other poets found homes in her magazine, when they weren’t able to get published elsewhere: Robert Frost. Wallace Stevens. Ezra Pound. Nobel prize winner Rabindranath Tagore. Poetry published the early works of the aforementioned H.D., Langston Hughes, Edna St. Vincent Millay and Marianne Moore. They were the first to publish Gwendolyn Brooks, James Merrill, and John Ashbery. I mean, come on. These people basically created modern literature.

If you read any biography of any major (or even minor) literary figure from the teens of the 20th century into the next 40 years, Harriet Monroe’s name will come up.

In 1933, she got a polite shy note from a kid in Missouri:

“Will you do a total stranger the kindness of reading his verse?
Thank you!
Thomas Lanier Williams”

It took “Thomas” 4 more years of submissions before Monroe published 2 of his poems. She – like the Group Theatre who awarded one of his early plays a special prize – recognized his gift and recognized it early. Almost 15 years later, he would use similar wording in a play which would become a massive game-changing hit: “I have always depended on the kindness of strangers.”

Monroe was the first to publish the difficult and often baffling (at least at the time, and probably still) work of William Carlos Williams (but could Monroe have foreseen that 100 years later Williams’ poem about eating plums would become a meme on this strange thing called Twitter? Or that Jim Jarmusch would make a whole movie inspired by Williams?)

Years later, William Carlos Williams reviewed A Poet’s Life, Harriet Monroe’s autobiography (published posthumously) for The New Republic. In his review he wrote:

Action is the password to the world for which Harriet Monroe most cared. She came upon the scene at a time when literature, especially poetry, was at a chronic ebb among us; by her action she brought up the tide a little. By her action others did the best of the writing but she did much of the work of establishment. Harriet Monroe had courage and loved poetry.”

“Harriet Monroe had courage and loved poetry.” – William Carlos Williams

It’s a fitting epitaph.

In a 1926 essay, Donald Davidson wrote:

[Monroe] has done American poetry a good service because she had the foresight to establish her magazine at exactly the time when it was needed, and the courage to publish writers who needed an introduction to the public. She has argued for poetry, lectured for it, and tried to stimulate respect for it.

Like Sylvia Beach, Harriet Monroe gave (often controversial) writers a place to do their thing as they saw fit. Other magazines shied away from the work of the poets listed above, the poets shaking off 19th-century forms. Harriet Monroe opened the door.

 
 
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.

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Mirrors #23


Gena Rowlands, Opening Night (1977)


Pamela Anderson, The Last Showgirl (2024. My review.)

 
 
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.

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Frankie has arrived

2024 has been a year of such hard work and family upheaval, plus political stupidity and all-around stress, that I can’t say I have enjoyed myself all that much, Scotland-trip notwithstanding. And even that one was for work. I’m grateful for the new things happening in my career! There’s a lot going on which I am not writing about, for various reasons. My personal life is 96% invisible to the internet. What I think and feel about things, however, is well covered in everything I write, here and in the reviews and essays.

But I did want to write a little bit about Frankie, my new cat. We are still getting used to each other, I think, but it’s so good to have him here. I have missed having a little furry companion. Even if a cat is just sleeping in the sun, he changes the entire atmosphere of a little home. You know he’s there.

It’s been four years since Hope died. She died in September 2020, a wretched time for the world and for my family. She and I were so close, and we went through the months of lockdown totally together, in sync. It was a lonely scary time for me, and her presence – always comforting – was even more so. My family was dealing with an impending death of a beloved family member and things were very upsetting, especially since the pandemic didn’t allow us to cluster together as a family. I “got” Hope in 2008, so she was with me for a long time. Not long enough but I was grateful for her every day. It was so difficult to let her go, to make that decision. But I got to be with her when she passed, they let me come in, even though it was Covid. She was only 12 years old so I hoped for a longer time with her but I am grateful we had the time we had. I still miss her.

Since early 2021, I have moved three times. Think about that. The first move, I put a bunch of stuff in storage, drove three hours in a raging blizzard, and moved in with a friend. It was a respite, a way-station. After nearly a year, I found my own place, which was so not ideal I knew it would be temporary. Knowing your abode is temporary changes your entire life. It was hard for me to even commit to setting up the place. Finally in 2022, I found the place I’m living in now, which is so much of a miracle of a place I don’t even want to really talk about it too much. I am afraid to jinx it. The rental market here is non-existent. It’s atrocious. Once upon a time, people could actually find a place to live. My anger at people with money and what they have made of our world is increasing on the daily. But I lucked out with this one. (I made my own luck. There was literally just a rumor that this guy was looking for a tenant. It hadn’t been listed on Zillow yet. I reached out before anyone else knew about it, and signed the lease literally on the same day I saw the place.) And here I sit. I have no plans on moving ever again (lol). I love it here in this little house by the beach, which shakes when the wind blows, and floods when we get a day of rain. My apartment is in the eaves of this little house. It’s cozy and surprisingly big. I have an office, for the first time in my life, I have a room devoted to my work. Plus there’s a BOAT in the side yard. Which looked like an eerie ice-ship in our recent snowfall.

Point being: I feel settled for the first time since 2020. And so I felt a little bit more comfortable considering bringing a cat into my life. I couldn’t when I was living with someone, and I couldn’t, in general, when my own living situation was so clearly temporary, etc. It’s a big commitment. I missed the comfort of knowing Hope was there, lying on the couch, looking at me, following me around.

Then, on November 3rd, I saw a post on Sarah Bunting’s Instagram about one of her fosters. Sarah Bunting is the genius behind Tomato Nation, a site I have been reading for 20 years. It’s not exactly active anymore, at least not like it used to be, although I still check it occasionally. She occasionally fosters animals and puts out posts on Instagram about them. Her latest just happened to cross my feed. (Because the tech overlords have decided to abolish chronology – because they SUCK – I miss stuff all the time. But this one was right at the top of my feed.)

She profiled a little cat named Rake. He looks a little bit like Hope, with dramatic tiger stripes. He is two years old. He was probably an indoor cat at one point – since he understands things like the litter box – and was found wandering the streets of Brooklyn. He’d probably had to scrounge through garbage to get his food. Poor little guy. He was thin. And had “food anxiety”. But was a sweet little guy, apparently. I decided to take the leap. I reached out that very minute and said I was interested.

Then followed a very heavy week and a half of activity: I cleared it with my landlord. I filled out the application. I interviewed with the woman who runs the foster agency. Then I “met” with Sarah over Zoom (amazingly, even though we share no less than 20 people in common, had never met in person before), and got to see Rake in action. Actually, by that point, his name had changed to Frankie. He just seemed like a Frankie. He had no interest in “meeting” me. He was too busy sitting by his food bowl (even though he just ate). Food anxiety is real. He was so cute! And so then I was approved. I drove down to New York the weekend before Thanksgiving, and we did the passing-off of Frankie. It took the two of us to get him into his crate. Poor guy. He must have been so terrified during the four-hour ride home. Here he is before we started off.

But I was so happy! I loved him so much already!

And now he is here. The first couple of days were difficult. He was very scared and completely obsessed with food to the point where he could never relax. He would wander around yowling with agony even though I had literally just fed him. I gave him probiotics, and stocked up on supplies, good protein-heavy food, and got him on a feeding schedule. I was on POINT with the schedule, because I wanted him to understand food was coming on the regular and he could CHILL. At first, he chose to sleep in my dad’s chair (which was appropriate, since I decided he was named after Francis Stuart, the Irish writer Dad collected. I mean, he collected books by a lot of Irish writers, but his Stuart collection was the biggest. Dad’s collection is now housed at Boston College. So Frankie is short for Francis.) Frankie wasn’t sure about me – at ALL – so he slept by himself in the chair. It was still a big moment, seeing him choose a place for himself to sleep. He was being so brave.

Eventually though he chose to come up on the couch next to me, and he lies next to me, sometimes resting his chin on my thigh. It’s so adorable and it means I can’t move.

It’s been a month and a half now. There was a big moment where I got up from the couch, and he didn’t immediately race to the kitchen for food. Instead, he remained lying on the couch, relaxed and chill. It was major! He still gets restless about food, and has his moments. He tears the kitchen apart, batting his bowl around, etc. He jumps up onto the stove or the counter, knocking things over. He literally ate 10 minutes before. I feel for him. He’s scared every meal will be his last. But the moments of relaxation last longer now. He loves his cat bed. When I sit on the couch, he has his spot beside me now. He sleeps curled up, he does huge stretches, and he lets me rub his belly, stretching out to let me know he wants more.

Oh, FRANKIE.

He’s hesitant about my bedroom. He won’t come in. He doesn’t sleep with me. He likes the couch. He doesn’t understand why I go into the bedroom and leave him. He stands in the doorway meowing at me. It’s so funny. I’m determined that one day he will come in there and sleep with me. Hope used to basically smother me in my sleep. I miss being smothered by a purring furball.

But it’s his choice. He’s feeling comfortable now. I think he trusts me. He wants to be close to me.

He is also so playful! I’m not used to it. Hope wasn’t really into playing. She sometimes had the Zoomies, but when I’d toss a bizzy ball, she’d just watch it go by, not interested at all. Her whole life was about being in my lap as much as possible. But Frankie needs play time. I bought him some toys. The wand toy is his favorite. He goes BERSERK. He is mischievous and has done some damage. He tries to climb things he shouldn’t climb. He hides and leaps out ferociously. He is a total delight.

Then he curls up next to me and sleeps so hard he doesn’t even move when I touch him. I think back to his nervous pacing and yowling the first four or five days he was here and I look at him now and I am so happy for him. A cat needs to be fierce but a cat deserves to feel safe too. And sleep for hours. He’s not on the streets anymore. He’s home now.

 
 
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.

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“I only know that people call me a feminist whenever I express sentiments that differentiate me from a doormat or a prostitute.” — Rebecca West

It’s her birthday today.

It is hard to talk about her without referencing the generations of writers she inspired, all of whom admit their debt. Robert Kaplan is the most open about it (in Balkan Ghosts, which launched his career, he follows Rebecca West’s footsteps through Yugoslavia, using her masterpiece Black Lamb and Grey Falcon as his travel guide. Christopher Hitchens, too, acknowledges a debt — he wrote the foreword to a new edition of Black Lamb and Grey Falcon.) And the list goes on.

Rebecca West was a journalist, novelist, Suffragist, Socialist, as well as later critic of Socialism and the pacifist Left, as well as author of one of the most important books of the 20th century, the aforementioned Black Lamb and Grey Falcon. She wrote essays, op-ed columns, reportage (she covered the Nuremberg Trials, as well as the treason trials wracking England from end to end in the 50s and 60s, including the Profumo affair). She kept up a voluminous and very entertaining correspondence.

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Great Performances of 2024

Ebert writers wrote of their favorite performances this year. There were so many entries it was broken up into two parts:

The Great Performances of 2024, Part One

The Great Performances of 2024, Part Two

 
 
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.

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Elvis: “It’s a duty I’ve got to fill and I’m going to do it.”

On December 20, 1957, Elvis received his draft notice. He was given a deferment so he could finish the movie King Creole This picture went out onto the wires. It was international news. He would be “gone” for … TWO YEARS? Would they CUT HIS HAIR? (There’s a famous letter to President Eisenhower by two teenage girls, begging the President to not allow Elvis’ hair to be shaved off. The girls covered the page of loose leaf with little hearts.)

I love this picture:

1. The HAIR.

2. The PANTS. Just casual at-home wear for Elvis.

3. The DOG. Looking up at him, feeling and absorbing all the emotion like dogs do. The dog looks concerned. “This Person I Love is Having Feelings and I Must Comfort Him Through This Hard Time.”

The dog was Elvis’ beloved mother’s dog. Elvis had no way of knowing at this point that his mother had less than one year to live, that she would die a month before he shipped out.

 
 
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.

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“But one man loved the pilgrim soul in you.” – Happy Birthday, Maud Gonne

maud-gonne-920x383

Maud Gonne, Irish revolutionary, feminist, radical, and, oh yeah, lifelong poetic muse of William Butler Yeats, was born on December 20 in 1865. After a couple of love affairs (none of whom were Yeats), and after having a couple of illegitimate children, she married John MacBride, the famed Irish nationalist who participated in the Easter Rising of 1916 and was executed by firing squad. Gonne and MacBride were separated by the time the Easter Rising came along. No matter: Gonne wore mourning garb for the rest of her life, wedding herself – spiritually and actually – to Irish nationalism.

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“I sucked my fingers for 12 years. I never spoke … but I was a great observer.” — Cicely Tyson

It’s her birthday today.

One of my earliest memories seeing a movie – I had to be 7 or 8 – was watching Sounder with my parents. I sat on the floor in front of the television. My parents sat on the couch behind me. They were probably both smoking. The movie made a vivid impression on me – so much so that when I finally re-watched it – maybe 20 years later – I remembered specific shots. But what I remember most of all is the “reunion scene”. It was overwhelming to me, but I was a child, and not quite sure what to do. I turned around to look at my mother. She sat there, with tears streaming down her face. Normally I would get alarmed if my mother cried. This time though I just felt: “Oh. Okay. Confirmation that what I am seeing is incredible.” I didn’t think exactly those things, but I remember the feeling of satisfaction in being confirmed in my own personal impression of a piece of art that my parents were letting me stay up and watch.

As an adult, I can now watch Tyson’s performance and marvel at what she is doing. She has one moment that makes me weep every time, and it’s not a huge moment of catharsis. It’s very small. Her son, home from his time away at the country school, writes a letter to his beloved teacher and reads it out loud to his illiterate mother and his siblings. Tyson sits, listening, and then says, proudly, but with a little bit of awe, and also the warmth of a mother’s support, “That’s a fine letter.” You believe TOTALLY that Cicely Tyson is who she says she is in that character.

Tyson was one of the great American actresses. She gives an all-time great performance – not just for her, but for anybody – in The Autobiography of Miss Jane Pittman. You can’t compare it to anything else because there isn’t anything else like it. Miss Jane Pittman shattered barriers, raised the bar, gave voice to the silenced, and etc. and etc. and nobody but Tyson could have played the role the way she did.

Watch her movements. She is meticulous without being showy. Watch her gestures.

It was an honor to write about Sounder for Film Comment. That film is important to me because it connects me with the dawn of not just my movie love but my discernment of what was good, the birth of my EYE.

Tyson has within her the most important of combinations: deep empathy, she wants to do right by her characters, and that means becoming them, imagining her way into their shoes (how does this woman cook, walk, stand up for herself, cry, love?) It’s got to be specific. We are not monolithic. We are individuals. Tyson cares deeply about that. But she also has within her great expressiveness. Meticulous character work can sometimes inhibit emotion. An actor focuses so much on the character work the performance becomes show-y, or worse, show-off-y. The catharsis, then, feels empty. On the flip side, if you ONLY focus on emotion, and your character work is generalized or sloppy or condescending, then everything else is empty. Tyson is so open you FEEL what she feels. Viscerally. I am not talking abstract. I am talking communication of emotion so powerful you literally feel her feelings. When Judy Garland made a gesture, it went right through you, vibrating: you feel the feeling too, you are almost forced to. Garland left you no choice. Tyson was the same way. The way she throws her arms out to Paul Winfield as she runs towards him in the reunion scene in Sounder – her fingers move a little bit – restlessly – her fingers twitching to touch him, her body – every single molecule of it – so filled with NEED, a need to get to him, get him in her arms NOW – I am in tears just writing these words. Her performance is storytelling at its most pure, primal, and important. An actor is the vehicle through which the story is told.

We are so lucky she graced us with her gifts, in movies, in television, on Broadway. It’s hard to imagine our world without her performances.

 
 
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.

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“I always knew I was going somewhere — going out. I just knew. I just knew. I just knew there were a lot more points of view out there. I wanted to see them. I wanted to hear them.” — Brad Pitt

It’s his birthday today.

Turns out I haven’t written that much about Brad Pitt, and this needs to be rectified. I’ve got THOUGHTS on the man, and I have from the jump when he first got my attention, in Thelma and Louise, Kalifornia and A River Runs Through It. My friends and I had impassioned discussions about his performance in A River Runs Throught It, where he easily and effortlessly plays – basically – what is the “Robert Redford role”. It’s not easy to do what Brad Pitt does. Because he makes it look easy, he has been under-estimated, the classic situation for many of our biggest movie stars. It’s a continuously frustrating battle. People are like, “Wow, he’s GOOD.” Well, yeah. He was good in Thelma and Louise, not sure what’s so shocking.

He’s just getting more and more interesting, and his performance in Once Upon a Time… is one of those things that feels inevitable, necessary, but it took a Quentin Tarantino to dream it up and make it happen.

The main thing I have written about Brad Pitt is in the 2011 piece I wrote for Capital New York (now part of Politico) on Bennett Miller’s Moneyball, a movie I really love. And Pitt is great in it.

 
 
Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And I’ve launched a Substack, Sheila Variations 2.0, if you’d like to subscribe.

Posted in Actors, Movies, On This Day | Tagged | 20 Comments