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- “I don’t represent anything.” — Liz Phair
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- “Some syllables are swords.” — Metaphysical poet Henry Vaughan
- “To me, music is no joke and it’s not for sale.” — Ian MacKaye
- “All I need to make a comedy is a park, a policeman and a pretty girl.” — Charlie Chaplin
- “As a cinematographer, I was always attracted to stories that have the potential to be told with as few words as possible.” — Reed Morano
- “Even though I’m writing about very dark material, it still feels like an escape hatch.” — Olivia Laing
- “It’s just one of the mysteries of filmmaking that sometimes you do something that you don’t even think it’s important, then it turns out to be.” — Lili Horvát
- “Ballet taught me to stay close to style and tone. Literature taught me to be concerned about the moral life.” — Joan Acocella
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- Bryce on The Books: “Nine Stories”- ‘The Laughing Man’ (J.D. Salinger)
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Tag Archives: film noir
September/October 2023 Viewing Diary
I moved in late September. Again. I found a little cozy apartment, the second floor of a little house, with slanted ceilings, little cubbyhole-eaves everywhere, and a big yard. It’s a 10 minute walk to the beach. I found it … Continue reading
Posted in Monthly Viewing Diary, Movies
Tagged Bette Davis, biopic, comedy, Costa-Gavras, Dana Andrews, documentary, drama, Eli Wallach, England, Ewan McGregor, film noir, France, Fritz Lang, George Cukor, George Sanders, Germany, Gloria Grahame, Hal Wallis, historical drama, Ireland, Joan Crawford, Joan Fontaine, Judy Blume, Kate Lyn Sheil, Lana Turner, Lee Marvin, Leonardo DiCaprio, Martin Scorsese, Miriam Hopkins, Norma Shearer, Otto Preminger, Paul Schrader, River Phoenix, Robert De Niro, Roman Polanski, Rosalind Russell, Sidney Lumet, Spain, Supernatural, Vincente Minnelli, women directors, WWII
29 Comments
Mirrors #17
Wandering aimlessly through Laura’s apartment, his sense of uneasiness growing, as he almost visibly avoids Laura’s portrait, the detective (Dana Andrews) – who may very well be the most naturally taciturn man who ever lived – taciturn to the point … Continue reading
Mirrors #16
Joan Fontaine’s chilling “mirror moment” in the astonishing Ivy (1947). (Joan Fontaine? Playing an evil woman? Really?? YES.) In this moment, dressed in mourning for her husband – who died somewhat mysteriously – hmmm – she avoids looking in her … Continue reading
Mirrors #14
Robert Siodmak’s Phantom Lady has many interesting mirror moments, one where Ella Raines – dressed up as a floozy, for the purposes of going undercover to get intel from a frighteningly lascivious Elisha Cook Jr. on the mysterious woman in … Continue reading
January 2023 Viewing Diary
Friday Night Lights No time like the present. I binged this entire series in a couple weeks. This took commitment, and a couple days of sick leave, while trapped in my hotel room in Memphis, too sick to move. I … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Aubrey Plaza, Baz Luhrmann, Bette Davis, biopic, Cary Grant, comedy, documentary, Dorothy Parker, drama, Eddie Cochran, Elvis Presley, film noir, Hedy Lamarr, Hungary, Italy, Jean Renoir, Little Richard, Poland, Pre-Code, Ralph Bellamy, Raoul Walsh, reviews, Spencer Tracy, Teresa Wright, true crime, William Wyler, women directors
9 Comments
November 2022 Viewing Diary
Something in the Dirt (2022; d. Aaron Moorhead, Justin Benson) I really liked this. If you like losing yourself in conspiracy theories – without being, like, a QAnon-type ready to shoot up a pizza parlor – then this is super … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Alan Ladd, Argentina, Australia, Canada, Cate Blanchett, Claude Rains, crime movies, D.H. Lawrence, documentary, drama, England, film noir, France, historical drama, horror, Iran, Iranian film, Isabelle Huppert, Jafar Panahi, Joanna Hogg, Joe Berlinger, John Garfield, Nina Hoss, Poland, Ralph Macchio, Russia, sci-fi, South Korea, Steven Spielberg, Tilda Swinton, true crime, women directors
3 Comments

