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- “Precision and accuracy are necessary for both white and black writers. ‘A black aesthetic’ should not be an excuse for sloppy writing.” — poet and publisher Dudley Randall
- “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- Mirrors #24
- Turn on the goose
- “As long as they pay me my salary, they can give me a broom and I’ll sweep the stage. I don’t give a damn. I want the money.” – Kay Francis
- “Fear urged him to go back, but growth drove him on.” — White Fang, by Jack London
- “I can pick a good song, but I sure couldn’t pick a good man.” — Ruth Brown
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- Melissa Sutherland on “I never told a joke in my life.” — Andy Kaufman
- Leena Myller on “It wasn’t there, and then it was there.” David Lynch on Elvis
- Leena Myller on “It wasn’t there, and then it was there.” David Lynch on Elvis
- sheila on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- Maddy on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- sheila on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- Maddy on “When I was discovered, everything happened like dominos. I don’t know how to talk about it now because it’s too mindblowing. It’s so unreal, and yet it’s real.” — Faye Dunaway
- sheila on “I can pick a good song, but I sure couldn’t pick a good man.” — Ruth Brown
- Clary on “I can pick a good song, but I sure couldn’t pick a good man.” — Ruth Brown
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
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- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- Scott Abraham on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on Colm Tóibín, Gary Indiana, and Los Angeles
- Scott Abraham on Colm Tóibín, Gary Indiana, and Los Angeles
- sheila on “Boredom is very important in life. It helps you feel when something is wrong.” — John Strasberg
- Marta on “Boredom is very important in life. It helps you feel when something is wrong.” — John Strasberg
- sheila on “We’re not breaking new ground. We’re trying to be entertaining within a format that’s familiar.” — Walter Hill
- Dan on “We’re not breaking new ground. We’re trying to be entertaining within a format that’s familiar.” — Walter Hill
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Tag Archives: Kate Lyn Sheil
September/October 2023 Viewing Diary
I moved in late September. Again. I found a little cozy apartment, the second floor of a little house, with slanted ceilings, little cubbyhole-eaves everywhere, and a big yard. It’s a 10 minute walk to the beach. I found it … Continue reading
Posted in Monthly Viewing Diary, Movies
Tagged Bette Davis, biopic, comedy, Costa-Gavras, Dana Andrews, documentary, drama, Eli Wallach, England, Ewan McGregor, film noir, France, Fritz Lang, George Cukor, George Sanders, Germany, Gloria Grahame, Hal Wallis, historical drama, Ireland, Joan Crawford, Joan Fontaine, Judy Blume, Kate Lyn Sheil, Lana Turner, Lee Marvin, Leonardo DiCaprio, Martin Scorsese, Miriam Hopkins, Norma Shearer, Otto Preminger, Paul Schrader, River Phoenix, Robert De Niro, Roman Polanski, Rosalind Russell, Sidney Lumet, Spain, Supernatural, Vincente Minnelli, women directors, WWII
29 Comments
On The Heart Machine (2014)
On my Substack, I posted a slightly re-worked piece I wrote for the now-defunct (and off the web, unfortunately) site The Dissolve, on Zachary Wigon’s surprisingly harrowing The Heart Machine. When you hear the plot, you might think you know … Continue reading
Review: She Dies Tomorrow (2020)
I really loved this. I love Amy Seimetz’s work in general (her first film, Sun Don’t Shine, is excellent). Incredible cast: Kate Lyn Sheil, Jane Adams, Chris Messina, Kentucker Audley, Josh Lucas, Michelle Rodriguez … fascinating premise. I reviewed for … Continue reading
Posted in Movies
Tagged drama, Kate Lyn Sheil, Kentucker Audley, reviews, women directors
2 Comments
Present Tense: On director Sophia Takal
I had wanted to write something on Takal’s first two films, Green and Always Shine, long before I had even heard of her Black Christmas remake. I was turned onto her work when I was assigned to review Always Shine … Continue reading
Posted in Directors, Movies
Tagged drama, horror, Kate Lyn Sheil, Present Tense, Sophia Takal, women directors
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October 2018 Viewing Diary
Supernatural, Season 11, episode 4 “Baby” (2015; d. Thomas J. Wright) This episode just grows in stature the further away we get from it. It’s quite brilliant. Mandy (2018; d. Panos Cosmatos) I went into Mandy not knowing much about … Continue reading