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Tag Archives: William Wellman
December 2023/January-February 2024 Viewing Diary
The Golden Bachelor Watched – in great hilarity – with Karen and Allison during a raucous sleepover, and Carol pulled up on FaceTime. So we could watch together. The whole thing is so ridiculous. Maestro (2023; d. Bradley Cooper) I … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Al Pacino, Aline MacMahon, Battleship Potemkin, biopic, Charlie Chaplin, Chile, Denmark, documentary, drama, dystopia, England, France, Germany, Ireland, Juliette Binoche, Kazuo Ishiguro, literary adaptation, Michael Mann, North Korea, Paul Schrader, Pre-Code, Radu Jude, Ray Milland, Richard Pryor, Romania, romantic comedy, sci-fi, short films, Sidney Poitier, silent films, Spain, Sylvia Sidney, Tana French, true crime, William Wellman, Wim Wenders, women directors
41 Comments
October 2015 Viewing Diary
Moontide (1942; d. Archie Mayo – and an uncredited Fritz Lang) And John O’Hara wrote the screenplay. How I love this film. Ida Lupino plays a suicidal girl, rescued from the waves by Bobo (a to-die-for Jean Gabin). Bobo is … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Australia, Channing Tatum, Chantal Akerman, Charles Vidor, Claude Rains, documentary, England, France, Gena Rowlands, Gilda, Guillermo del Toro, Ida Lupino, Iran, Iranian film, Ireland, Joe Berlinger, John Ford, John Sturges, John Wayne, Kristen Wiig, Maureen O'Hara, Mexico, Nicholas Ray, Peter Weir, Poland, Ridley Scott, Rita Hayworth, Supernatural, Thomas Mitchell, William Wellman
70 Comments
Other Men’s Women (1931); Dir. William Wellman
The romantic-triangle set against an environment of machines and technology was territory William Wellman had covered before (in Wings, most notably), and here, in Other Men’s Women, instead of planes, like in Wings, we’ve got trains. Male friendship and work … Continue reading
Memos from David O. Selznick
Excerpts from the addictive Memo from David O. Selznick : The Creation of “Gone with the Wind” and Other Motion Picture Classics, as Revealed in the Producer’s Private Letters, Telegrams, Memorandums, and Autobiographical Remarks, part of the Modern Library “The … Continue reading