Tag Archives: silent films

“The camera is always where it needs to be with him.” — Interview with Dana Stevens, author of Camera Man

I interviewed Dana Stevens about her wonderful book Camera Man: Buster Keaton, the Dawn of Cinema, and the Invention of the Twentieth Century, after a screening of Keaton’s The General last week at the Jane Pickens Theater in Newport, Rhode … Continue reading

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July 2021 Viewing Diary

Sally, Mary and Irene (1925; d. Edmund Goulding) For some reason, I forgot to include this gem in my June viewing diary. Considered lost forever, it is one of Joan Crawford’s earliest films – and one where she is actually … Continue reading

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Mirrors #7

Joan Crawford in one of her earliest successes, Sally, Irene and Mary (1925). What do you want to bet her character is headed for a rocky road? You know I love mirror shots. Adding it to the collection.

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For Ebert: On Stanley Kwan’s 1991 masterpiece Center Stage

It’s Women Writers Week over on Ebert (Table of Contents), and I wrote about the biopic with which I measure all other biopics: Stanley Kwan’s Center Stage about the brief intense life of “the Chinese Greta Garbo,” silent film star … Continue reading

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May 2020 Viewing Diary

Homeland, Season 1-6 I finally caught up with Homeland, binge-watching it as I endured my lonely quarantine. Binge-watching has been a comfort. I’m having a hard time absorbing new things. I’ve been re-reading books. Re-watching things. Or, succumbing to the … Continue reading

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Ebertfest Day 3: A Page of Madness (1926), with the Alloy Orchestra

Every year a silent film is screened at Ebertfest, with music performed (and composed) by the three-man Alloy Orchestra. It’s always a highlight of the festival. They have such interesting careers. They are film historians, but also artists, who choose … Continue reading

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April 2016 Viewing Diary

The Hunt for the Wilderpeople (2016; d. Taika Waititi) My favorite thing I saw at Tribeca. It hasn’t opened yet but this is one you want to see. My review here. Midsummer in Newtown (2016; d. Lloyd Kramer) I was … Continue reading

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More Ebertfest 2015

The next film shown at Ebertfest was Celine Sciamma’s Girlhood (an extraordinary film about 4 black girls, teenagers, living in a housing project in a Parisian suburb – my review here). As with many of these films, I had seen … Continue reading

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The Crowd (1928); directed by King Vidor

Last night was a really special evening: my friend Farran Smith Nehme has written a wonderful novel called Missing Reels. It’s about a bunch of movie-mad characters in 1980s New York who start on a wild goose chase to track … Continue reading

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Ebertfest 2014: He Who Gets Slapped (1924)

One of the highlights of Ebertfest this year (and we’re not even done yet) is getting a chance to see the 1924 silent film He Who Gets Slapped on the gigantic Virginia Theatre screen, surrounded by a packed house, and … Continue reading

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