-
Recent Posts
- “Improvement makes strait roads, but the crooked roads without Improvement, are roads of Genius.” — poet/engraver/visionary William Blake
- “You can’t dance in a long dress.” — Tina Turner
- Happy Birthday, Emir Kusturica
- “What’s the difference between an exile and an expatriate? It seems to me that an Englishman in France is an expat, but an Irishman is an exile.” — Irish poet Derek Mahon
- Posters in Aki Kaurismäki’s Fallen Leaves (2023)
- “[I wish] to trace the gradual action of ordinary causes rather than exceptional.” — George Eliot
- “There were so many things I wanted to say, stream-of-consciousness things, designs and patterns while listening to music. I felt I might be able to say [them] if I had an unending canvas.” — pioneering experimental animator Mary Ellen Bute
- The (Fractured) Male Gaze
- “Being understood is not the most essential thing in life.” — Jodie Foster
- Happy Birthday, Graham Parker
Recent Comments
- Chris on “There were so many things I wanted to say, stream-of-consciousness things, designs and patterns while listening to music. I felt I might be able to say [them] if I had an unending canvas.” — pioneering experimental animator Mary Ellen Bute
- Mitch Berg on “What’s the difference between an exile and an expatriate? It seems to me that an Englishman in France is an expat, but an Irishman is an exile.” — Irish poet Derek Mahon
- Sean Giere on “I don’t like being approached by people who look at me too intensely, who needed something from me that I didn’t have. I don’t represent anything.” — Liz Phair
- Jessie on Review: May December (2023)
- Jessie on Review: Holy Frit (2023)
- Jessie on She’s not a bad person. Honest she isn’t: Kerry O’Malley in David Fincher’s The Killer
- Ginny SH on “There’s nothing you can tell me about guilt.” — Martin Scorsese
- Clary on The (Fractured) Male Gaze
- sheila on “I don’t like being approached by people who look at me too intensely, who needed something from me that I didn’t have. I don’t represent anything.” — Liz Phair
- SeanGiere on “I don’t like being approached by people who look at me too intensely, who needed something from me that I didn’t have. I don’t represent anything.” — Liz Phair
- sheila on She’s not a bad person. Honest she isn’t: Kerry O’Malley in David Fincher’s The Killer
- Melissa Sutherland on She’s not a bad person. Honest she isn’t: Kerry O’Malley in David Fincher’s The Killer
- sheila on “There’s nothing you can tell me about guilt.” — Martin Scorsese
- sheila on “There’s nothing you can tell me about guilt.” — Martin Scorsese
- sheila on Review: May December (2023)
- sheila on Talking 1953 movies with Jason Bailey and Mike Hull: A Very Good Year podcast
- sheila on Review: Holy Frit (2023)
- sheila on “Given as much to the gutter as to the gods” — Nick Tosches
- sheila on She’s not a bad person. Honest she isn’t: Kerry O’Malley in David Fincher’s The Killer
- sheila on She’s not a bad person. Honest she isn’t: Kerry O’Malley in David Fincher’s The Killer
Categories
Archives
-
FOLLOW ME ON INSTAGRAM
Tag Archives: Claude Chabrol
“The Greeks already understood that there was more interest in portraying an unusual character than a usual character – that is the purpose of films and theatre.” — Isabelle Huppert
It’s her birthday today. Nobody like her. She’s almost in her own category. Her work is mysterious. It feels like she gives the wheel over totally to her subconscious. You never feel the puppet-strings of the actress. She never even … Continue reading
Posted in Actors, Movies, On This Day
Tagged Claude Chabrol, France, Isabelle Huppert, Mia Hansen-Løve, Paul Verhoeven, Sandrine Bonnaire
4 Comments
Substack: Folie à deux
Over on my Substack: riffing on one of my favorite subjects: the Folie à deux, in film, plays, books, and of course in life. Culminating in a discussion of Joël Séria’s controversial 1971 film Mais ne Nous Délivrez Pas du … Continue reading
December 2022 Viewing Diary
The Whale (2022; d. Darren Aronofsky) I thought it was appalling, and not just for the obvious reasons (i.e. his body is viewed as literally a movie monster, with all these horror-movie shots of his gigantic ankles, etc.) And it … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged action movies, animation, Austria, Brad Pitt, Brian De Palma, Charles Dickens, Christopher Walken, Claude Chabrol, Claudette Colbert, comedy, coming of age, Czechoslovakia, Darren Aronofsky, David Bowie, documentary, drama, England, France, Germany, heist, historical drama, Hungary, Isabelle Huppert, Kentucker Audley, Natasha Richardson, Paul Schrader, Paul Thomas Anderson, Preston Sturges, Punch-Drunk Love, Russia, Sandrine Bonnaire, screwball, thrillers, Ukraine, war, women directors
3 Comments
La Cérémonie folie à deux
I saw La Cérémonie when I lived in Chicago, right behind the Music Box Theatre. In the apartment where Window-Boy kept breaking into my house. A little alley across from that house led right to the front door of the … Continue reading
Posted in Movies
Tagged Claude Chabrol, drama, France, Isabelle Huppert, Sandrine Bonnaire
2 Comments
Sylvia Kristel: From Emmanuelle to Chabrol: a QA with author Jeremy Richey
When I first started to “swerve” my blog away from diary-like entries to a focus on film and books, there were a couple of people whose example I followed, or who, at least, were fully doing what I was already … Continue reading
February 2020 Viewing Diary
Ted Bundy: Falling For a Killer (2020; d. Trish Wood) I can’t help it. I’ve been reading about Ted Bundy since I read Ann Rule’s book in high school. I hate him so much, but I can’t quit him. I … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Bill Pullman, Claude Chabrol, comedy, documentary, drama, Germany, Isabelle Huppert, James Gandolfini, Jane Austen, Jean Arthur, Kurt Russell, Laura Dern, literary adaptation, miracle on ice, Nicolas Cage, Robert Duvall, romantic comedy, Sandrine Bonnaire, sci-fi, sports movies, William Powell, women directors
8 Comments
April 2016 Viewing Diary
The Hunt for the Wilderpeople (2016; d. Taika Waititi) My favorite thing I saw at Tribeca. It hasn’t opened yet but this is one you want to see. My review here. Midsummer in Newtown (2016; d. Lloyd Kramer) I was … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged AFME, Al Pacino, Brian De Palma, Claude Chabrol, Denmark, documentary, drama, France, historical drama, Howard Hawks, Jean-Paul Belmondo, July and Half of August, Lily Tomlin, Mervyn LeRoy, Michael Mann, New Zealand, Pre-Code, Preston Sturges, romantic drama, silent films, Supernatural, war movies
81 Comments
September 2015 Viewing Diary
I got a pretty big writing assignment this past month, with a deadline of October 5. So I’ve been working hard, researching, as the below list will probably show. Not ready to talk about it yet, still working on the … Continue reading
Posted in Monthly Viewing Diary, Movies
Tagged Agnes Varda, Alan Ladd, Anna Karina, Canada, Charles Vidor, Charlton Heston, Claude Chabrol, Dana Andrews, documentary, Doris Day, Elizabeth Taylor, England, France, Fred Astaire, Fritz Lang, Gilda, Gloria Grahame, Iran, Iranian film, Irene Dunne, J. Miller Tobin, Jafar Panahi, James Cagney, Jean-Luc Godard, John Wayne, Laura Dern, Marilyn Monroe, Mélanie Laurent, Mexico, Otto Preminger, Out of the Past, Paul Thomas Anderson, Ramin Bahrani, Rita Hayworth, Robert Mitchum, Supernatural, Terrence Malick
159 Comments
March 2015: Viewing Diary
Supernatural, Season 2, Episode 14 “Born Under a Bad Sign” (2007; J. Miller Tobin). A re-watch for my re-cap. Tales of Hoffmann (1952; Michael Powell and Emeric Pressburger). Saw a screening of the lushly-colored new restoration print at the Film … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Albert Maysles, Alfred Hitchcock, Austria, Claude Chabrol, documentary, England, France, Ida Lupino, Italy, J. Miller Tobin, Joan Crawford, John Garfield, Mexico, Michael Mann, Mildred Pierce, Pakistan, Spain, Supernatural, Thomas J. Wright, Uganda
31 Comments
Claude Chabrol’s Le Boucher (1970)
Claude Chabrol’s La Ceremonie is one of the most frightening films I have ever seen. It is filled with such a word-less unease that by that final scene, you are so disturbed and shaken up that it’s almost a relief … Continue reading