Tag Archives: Billy Wilder

Mirrors #6

I continue to trip over examples in film of men looking at themselves in the mirror. I get so excited! I wrote a whole lengthy essay about it for Oscilloscope Laboratories – and people who have been reading me for … Continue reading

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June 2021 Viewing Diary

La Notte (1961; d. Michelangelo Antonioni) Pauline Kael included La Notte in her infamous essay titled “The Come-Dressed-As-the-Sick-Soul-of-Europe Parties”. Now you can debate her on this opinion – and I think she’s off (although I think it’s a hilarious title). … Continue reading

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Vicious Circles

From Billy Wilder’s The Lost Weekend: such a creative way to show the progression of the boozy night, and the intensifying drunkenness of our alcoholic main character (Ray Milland).

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April 2021 Viewing Diary

Jewel Robbery (1932; d. William Dieterle) This glittering pre-Code, starring William Powell as a jewel thief, and Kay Francis as a married woman in love with her jewels, is such a subversive delight. Powell is devastatingly charming and Francis is … Continue reading

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Present Tense: Death Scenes

William Holden, “Sunset Boulevard” For my next “Present Tense” column at Film Comment, I wrote about a long-time obsession – which I have covered from time to time here on my site: Actors performing death scenes. And a tribute to … Continue reading

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August 2017 Viewing Diary

Columbus (2017; d. Kogonada) I loved this movie so much. One of the best of the year so far. My review. Dunkirk (2017; d. Christopher Nolan) Overwhelming. Saw it in IMAX 70 mm so I can’t compare to others’ experiences … Continue reading

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The Books: Love, Poverty, and War: Journeys and Essays, ‘It Happened on Sunset’, by Christopher Hitchens

On the essays shelf: Love, Poverty, and War: Journeys and Essays In this 1995 essay for Vanity Fair, about the history of Sunset Boulevard, Hitchens gives Joan Didion a run for her money in delving into the history (social, cultural, … Continue reading

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Happy Birthday, Billy Wilder

Billy Wilder’s Tips for Writers 1. The audience is fickle. 2. Grab ’em by the throat and never let ’em go. 3. Develop a clean line of action for your leading character. 4. Know where you’re going. 5. The more … Continue reading

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“Audrey Wilder’s Recipe for the Perfect Martini”

(as told to Cameron Crowe, in his book-length interview with Audrey’s husband, Billy Wilder:) “I use a bitters bottle … and I do it by eye. I pour enough vodka for one or two martinis, then add the vermouth. These … Continue reading

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Francois Truffaut on Sgt. J.J. Sefton in Stalag 17

This is, perhaps, the best analysis of that character, played by William Holden, that I have ever read. Sefton is intelligent; that’s why he acts as he does. For the first time in films the philosophy of the solitary man … Continue reading

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