Tag Archives: Ben Gazzara

July 2024 Viewing Diary

Anyone But You (2023; d. Will Gluck) The fascination with Glen Powell continues. I’ve seen this maybe four times now? The NY Times did a whole ROUNDTABLE about Glen Powell, like: what is going on with this guy? It’s like … Continue reading

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On This Day: March 24, 1955: Cat on a Hot Tin Roof opened on Broadway.

Cat on a Hot Tin Roof opened on Broadway on this day, in 1955. Critic Brooks Atkinson, one of Williams’s staunchest supporters, wrote: “[The play seemed] not to have been written. It is the quintessence of life.” Ben Gazzara became … Continue reading

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August 2018 Viewing Diary

Ballerina (2009; d. Bertrand Normand) I tripped over this documentary on FilmStruck (I love dance documentaries), and it’s really really good. Not only do you get to know a bunch of different dancers, but it’s a portrait of what ballet … Continue reading

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September 2016 Viewing Diary

Kicks (2016; d. Justin Tipping) Absolutely loved it. There have been so many excellent first-time directors making features this year. My review for Rogerebert.com. Kiss Me Deadly (1955; d. Robert Aldrich) I love this bizarre paranoid insanely phantasmagorical … film … Continue reading

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The Passionate Thief (1960); directed by Mario Monicelli

Charlie and I went to The Film Forum last night to check out the restored The Passionate Thief (1960), directed by Mario Monicelli, and starring Anna Magnani, Ben Gazzara and Toto. It’s getting a nice theatrical re-release, and it looks … Continue reading

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Outlaws

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QA with Peter Bogdanovich: They All Laughed

QA with Peter Bogdanovich, 92nd St. Y, Tribeca, September 21, 2012. Photo by Mitchell Fain On Friday, September 21, 2012, Bogdanovich’s beloved and yet rarely seen film They All Laughed was screened at the 92nd St. Y in Tribeca, with … Continue reading

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R.I.P. Ben Gazzara

It was my favorite type of career. Long-lasting, diverse, a little bit chaotic, not overly managed, with moments of brilliance, moments of just good workmanship … and you can tell, you can just tell, that his career has been about … Continue reading

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They All Laughed: The Wordless Opening Sequence

In the piece I wrote yesterday, They All Laughed: Eyelines, Points of View and Three-Dimensional Space in the Algonquin Hotel Sequence (I could use some help with my titles), I took note of Peter Bogdanovich’s use of multiple points of … Continue reading

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On This Day: March 24, 1955

Cat on a Hot Tin Roof opened on this day, in 1955, in New York. Brooks Atkinson, one of Williams’s staunchest critic supporters, wrote: “[The play seemed] not to have been written. It is the quintessence of life.” The performances … Continue reading

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