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Tag Archives: India
2024 National Society of Film Critics Awards
In my second year as a member of the NSFC, we met this morning at Elinor Bunim in Lincoln Center and voted on this year’s films. These things can be pretty grueling – and today was no different – just … Continue reading
Posted in Actors, Directors, Movies
Tagged documentary, England, India, literary adaptation, Palestine, Radu Jude, Romania, short films, women directors
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For Liberties: What Was Good About 2024? (in film)
Over at Liberties: my top 20 films of 2024. Tis the season for end-of-year lists. I tend to switch them up, depending on the outlet, because I don’t get attached to my lists. But those are the stand-outs. (Thanks to … Continue reading
Posted in Movies
Tagged England, India, Iranian film, Ireland, Italy, Mohammad Rasoulof, Palestine, Poland, Radu Jude, Romania, Spain, women directors
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Screen Slate 2024 Poll
Happy to participate in Screen Slate’s annual poll: Best Movies of 2024: First Viewings & Discoveries and Individual Ballots My pics: Fun to scroll through – so many people polled, including directors like Pedro Almodovar and Whit Stilman! … Continue reading
Posted in Movies
Tagged comedy, documentary, Douglas Sirk, drama, George Sanders, historical drama, India, Iranian film, Ireland, Italy, Lucille Ball, Palestine, Poland, Pre-Code, Radu Jude, Romania, silent films, The Netherlands, women directors
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Ebert: The Best Films of 2024
The writers at Ebert voted on the best of 2024, and then wrote up the winners. You can see the full list and our little essays here. Thank you so much for stopping by. If you like what … Continue reading
Posted in Movies
Tagged documentary, drama, England, India, literary adaptation, Palestine, Poland, women directors
4 Comments
NYFCC 2024 Awards
We gathered today yesterday at Lincoln Center to vote on this year’s films. We don’t talk about what goes on in the room but it’s done by ballot (you’ve seen Conclave? It’s like that), and so it’s a pure numbers … Continue reading
Posted in Movies
Tagged animation, documentary, drama, England, India, literary adaptation, Palestine, women directors
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Review: All We Imagine as Light (2024)
This is so good. I reviewed for Ebert. Thank you so much for stopping by. If you like what I do, and if you feel inclined to support my work, here’s a link to my Venmo account. And … Continue reading
December 2022 Viewing Diary
The Whale (2022; d. Darren Aronofsky) I thought it was appalling, and not for the obvious reasons. His body is viewed as literally a movie monster, with all these horror-movie shots of his gigantic ankles, etc.) It felt tired and … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged action movies, animation, Austria, Brad Pitt, Brian De Palma, Charles Dickens, Christopher Walken, Claude Chabrol, Claudette Colbert, comedy, coming of age, Czechoslovakia, Darren Aronofsky, David Bowie, documentary, drama, England, France, Germany, heist movies, historical drama, Hungary, India, Isabelle Huppert, Kentucker Audley, Natasha Richardson, Paul Schrader, Paul Thomas Anderson, Preston Sturges, Punch-Drunk Love, Russia, Sandrine Bonnaire, screwball comedy, thrillers, Ukraine, war, women directors
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Rogerebert.com: The Ten Best Films of 2022
The annual Rogerebert.com contributors’ collective Top 10. We each submit an individual list, and then we’re given assignments based on the tally. Some of my faves are included, and one of my least faves is also included. What are ya … Continue reading
Movies I Loved in 2022
It is the month of Top 10 Lists. I’ve submitted a few to different sites. And … each list is slightly different. Because I’m not a list person and I don’t rank things and I really don’t like to argue … Continue reading
Posted in Movies
Tagged action movies, Argentina, Aubrey Plaza, Australia, Austria, Baz Luhrmann, biopic, comedy, coming of age, documentary, drama, Elvis Presley, England, France, Georgia, historical drama, India, Iranian film, Jackass, Jafar Panahi, Kentucker Audley, poetry, Poland, romantic comedy, romantic drama, Scotland, South Korea, Steven Spielberg, Sweden, thrillers, true crime, Ukraine, war movies, women directors, WWI
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