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Tag Archives: Ridley Scott
Fonts in Space
It’s best not to provide a preamble to this marvelous post. It’s best to go into it cold, like I did. If you’re interested in fonts, well … it will be a post made in heaven. If you’re insanely observant … Continue reading
March 2016 Viewing Diary
Supernatural, Season 2, Episode 20: “What Is and What Should Never Be” (2007; d. Eric Kripke) My 300-page re-cap here. At Any Price (2012; d. Ramin Bahrani) Inspired by the recent conversation Mitchell and I had about Zac Efron (Part … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Brad Pitt, Charles Beeson, David Lynch, England, Eric Kripke, France, Fritz Lang, Harriet Andersson, Ingmar Bergman, Ingrid Thulin, Ireland, Jensen Ackles, Jeremy Carver, Kim Manners, Liv Ullmann, Martin Scorsese, New Zealand, Ramin Bahrani, Richard Linklater, Ridley Scott, Robert Singer, Supernatural, Sweden, Thomas J. Wright, X-Files, Zac Efron
53 Comments
Thelma and Louise Turns 25: We Discuss
Christy Lemire, Susan Wloszczyna and I are reunited a couple of years after our discussion of Abel Ferrara’s Ms. 45, to discuss Thelma and Louise, which turns 25 this year. My take is a bit different from Christy’s and Susan’s, … Continue reading
October 2015 Viewing Diary
Moontide (1942; d. Archie Mayo – and an uncredited Fritz Lang) And John O’Hara wrote the screenplay. How I love this film. Ida Lupino plays a suicidal girl, rescued from the waves by Bobo (a to-die-for Jean Gabin). Bobo is … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged Australia, Channing Tatum, Chantal Akerman, Charles Vidor, Claude Rains, documentary, England, France, Gena Rowlands, Gilda, Ida Lupino, Iran, Iranian film, Ireland, Joe Berlinger, John Ford, John Sturges, John Wayne, Kristen Wiig, Maureen O'Hara, Mexico, Nicholas Ray, Peter Weir, Poland, Ridley Scott, Rita Hayworth, Supernatural, Thomas Mitchell, William Wellman
70 Comments
Review: The Martian (2015); d. Ridley Scott
I won’t write a full review (although will point you to Matt Zoller Seitz’s thoughtful and insightful review over at Rogerebert.com), but I did just want to say how much I loved the film, and to recommend seeing it in … Continue reading
“Memories. You’re Talkin’ About Memories.”
Stunned, yet again, by its noir power and darkness. With all its technology and futuristic alienation, it is actually an art film.