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- “There is only one difference between a madman and me. I am not mad.” — Charlotte Brontë
- “Good acting is thinking in front of the camera. I just do that and apply a sense of humor to it. You have to trust the audience to get it.” — Charles Grodin
- “I do love Alice in Wonderland though. That’s something I think I could do very well.” — Edie Sedgwick
- “The only cause I espouse is man’s right to find his own centre, stand firm, speak out, then be kind.” — Michael Davitt, “Dissenter”
- 2026 Shakespeare Reading Project: Much Ado About Nothing
- “I don’t represent anything.” — Liz Phair
- “I don’t really know why, but danger has always been an important thing in my life – to see how far I could lean without falling, how fast I could go without cracking up.” — William Holden
- “Some syllables are swords.” — Metaphysical poet Henry Vaughan
- “To me, music is no joke and it’s not for sale.” — Ian MacKaye
- “All I need to make a comedy is a park, a policeman and a pretty girl.” — Charlie Chaplin
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- sheila on 2026 Shakespeare Reading Project: Much Ado About Nothing
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- sheila on 2026 Shakespeare Reading Project: Much Ado About Nothing
- sheila on 2026 Shakespeare Reading Project: Much Ado About Nothing
- Mike Molloy on 2026 Shakespeare Reading Project: Much Ado About Nothing
- Scott Abraham on 2026 Shakespeare Reading Project: Much Ado About Nothing
- sheila on 2026 Shakespeare Reading Project: Much Ado About Nothing
- Scott Abraham on 2026 Shakespeare Reading Project: Much Ado About Nothing
- sheila on 2026 Shakespeare Reading Project: Much Ado About Nothing
- Mike Molloy on 2026 Shakespeare Reading Project: Much Ado About Nothing
- sheila on March 2026 Snapshots
- sheila on “I don’t really know why, but danger has always been an important thing in my life – to see how far I could lean without falling, how fast I could go without cracking up.” — William Holden
- Jessie on March 2026 Snapshots
- Helen Erwin Schinske on “To me, music is no joke and it’s not for sale.” — Ian MacKaye
- Maddy on “I don’t really know why, but danger has always been an important thing in my life – to see how far I could lean without falling, how fast I could go without cracking up.” — William Holden
- sheila on “To me, music is no joke and it’s not for sale.” — Ian MacKaye
- Helen Erwin Schinske on “To me, music is no joke and it’s not for sale.” — Ian MacKaye
- Joseph Pedulla on Susan Hayward Sleeps Raw
- sheila on “For I am of the seed of the WELCH WOMAN and speak the truth from my heart.” — Christopher Smart
- P Nickel on “The realization of ignorance is the first act of knowing.” — Jean Toomer
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Tag Archives: Isabelle Adjani
January 2026 Viewing Diary
The Sound of Falling (2026; d. Mascha Schilinski) It took me a couple of days to shake off the effect of The Sound of Falling. I saw it at a screening room on 29th Street. I knew very little about … Continue reading
Posted in Monthly Viewing Diary, Movies
Tagged Australia, Canada, documentary, drama, dystopia, film noir, Germany, Isabelle Adjani, Norway, short films, Sofia Coppola, women directors
4 Comments
November 2023 Viewing Diary
After Everything (2018; d. Hannah Marks, Joey Power) In early November, I holed up in a cozy little house in Connecticut with Allison and Carol. I had to work the whole time, which was a bummer but the night was … Continue reading
Posted in Monthly Viewing Diary, Movies, Television
Tagged animation, biopic, Chile, Christian Petzold, coming of age, David Fincher, documentary, drama, Elvis Presley, England, family, France, Germany, historical drama, Isabelle Adjani, Japan, Julianne Moore, July and Half of August, Mélanie Laurent, Mexico, Russia, short films, Sofia Coppola, South Korea, thrillers, Tilda Swinton, Ukraine, women directors
11 Comments
Review: Wingwomen (2023)
This heist-romp was so much fun. I have a soft spot for heist movies. Mélanie Laurent, a wonderful actress, is also an excellent film-maker (I’ve reviewed a couple of her films: Breathe and last year’s The Mad Women’s Ball – … Continue reading
Posted in Movies
Tagged action movies, France, heist movies, Isabelle Adjani, Mélanie Laurent, reviews, women directors
7 Comments
David Thomson: Isabelle Adjani
“There is something so frank, so modern in her feelings, yet so classical in her aura, so passionate and so wounded, that Isabelle Adjani seems made to play Sarah Bernhardt one day. Why not? She is a natural wearer of … Continue reading